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THINGS THAT GO

From the What Can You Spot? series

Consider these sturdy board books training titles for Walter Wick's more densely packed I Spy titles.

A topsy-turvy tumble of brightly colored iconic images on a clean white background is accompanied by the invitation, “What can you spot? What do you see?”

Double-page spreads show vehicles found in a town, flying, on water, at a racetrack, and in space, as well as construction, emergency, and farm equipment. This is not a book for beginners. The 30-35 vehicles in each grouping are displayed upside down, sideways, or at angles, adding challenge to the game. Outlines of most vehicles included on each spread are shown in a band of color along the bottom of the page as a sort of visual glossary. On some pages, this band of color is dark enough to make the text difficult to read. Extraneous figures to fill in white space (oars and anchors on the watercraft spread) and the inclusion of some vehicles not hinted at on the bottom (a train on the town page) further clutter the pages and increase the complexity of the task. Finding the tiny hidden lion on each page will be beyond the ability of many toddlers and will test the patience of older siblings and parents. In the companion title, In the Wild, finding the toucan is even more difficult.

Consider these sturdy board books training titles for Walter Wick's more densely packed I Spy titles. (Board book. 2-5)

Pub Date: Aug. 4, 2015

ISBN: 978-1-4998-0056-2

Page Count: 18

Publisher: Little Bee Books

Review Posted Online: Sept. 15, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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ANIMAL SHAPES

Innovative and thoroughly enjoyable.

You think you know shapes? Animals? Blend them together, and you might see them both a little differently!

What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?

Innovative and thoroughly enjoyable. (Board book. 2-4)

Pub Date: March 27, 2018

ISBN: 978-1-4998-0534-5

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: July 1, 2018

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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