Digging into personal and architectural history, Toker demonstrates spadework of the highest, most exacting, and refined...
A cerebral, spiritual, and social pilgrimage through Fallingwater and the long shadows cast by the two personalities who brought the great home to fruition.
It rises beside a stream in western Pennsylvania, an architectural icon of cognitive dissonance, the thrusting lines cutting through the unruly rusticity: “Pittsburgh-on-Bear-Run,” Fallingwater. A piece of man-made sublime, architectural historian Toker suggests, it is a counterfoil wedding industry to nature. Yet Toker’s story of Fallingwater is not solely, or even primarily, about the building of the masterpiece (though he goes to great lengths to draw out the legion of influences, starting—and ending—with Frank Lloyd Wright), but about how the house pumped oxygen into Wright’s career after the eclipse of the European stylists and catapulted E.J. Kaufmann past anti-Semitic snobbery: “His fixed strategy was to use architecture to raise his social status” and to use Fallingwater as a commercial showcase to demonstrate “nothing more than simple adherence to the merchant’s creed,” though also emphasizing Kaufmann’s role as patron. Toker softens the edge of the characterizations here with profiles that make Wright and Kaufmann human, “in their own moral universe,” sparking “eccentric and self-indulgent lifestyles.” Fallingwater, too, becomes a living thing through Toker’s intimate wording: a wondrous creature, exquisitely tuned to the site. As for the client: “It would be hard to find a house plan that better chartered the dynamics of a dysfunctional family.” Toker sees Fallingwater as a symbol of hope for all Americans during the black heart of the Depression, escapism at its best, even, thanks to the publicity machine of Time and Life, “a patrician dwelling that passed for the abode of one of the people.” Finally, Toker ably skewers E.J. Kaufmann Jr.’s self-serving bluster regarding his role in the project.
Digging into personal and architectural history, Toker demonstrates spadework of the highest, most exacting, and refined order. (16 pp. color and 150 b&w photographs)Pub Date: Oct. 7, 2003
ISBN: 1-4000-4026-4
Page Count: 544
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2003
Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."
Pub Date: June 18, 1974
ISBN: 0671894412
Page Count: 372
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: June 1, 1974
Harari delivers yet another tour de force.
A highly instructive exploration of “current affairs and…the immediate future of human societies.”
Having produced an international bestseller about human origins (Sapiens, 2015, etc.) and avoided the sophomore jinx writing about our destiny (Homo Deus, 2017), Harari (History/Hebrew Univ. of Jerusalem) proves that he has not lost his touch, casting a brilliantly insightful eye on today’s myriad crises, from Trump to terrorism, Brexit to big data. As the author emphasizes, “humans think in stories rather than in facts, numbers, or equations, and the simpler the story, the better. Every person, group, and nation has its own tales and myths.” Three grand stories once predicted the future. World War II eliminated the fascist story but stimulated communism for a few decades until its collapse. The liberal story—think democracy, free markets, and globalism—reigned supreme for a decade until the 20th-century nasties—dictators, populists, and nationalists—came back in style. They promote jingoism over international cooperation, vilify the opposition, demonize immigrants and rival nations, and then win elections. “A bit like the Soviet elites in the 1980s,” writes Harari, “liberals don’t understand how history deviates from its preordained course, and they lack an alternative prism through which to interpret reality.” The author certainly understands, and in 21 painfully astute essays, he delivers his take on where our increasingly “post-truth” world is headed. Human ingenuity, which enables us to control the outside world, may soon re-engineer our insides, extend life, and guide our thoughts. Science-fiction movies get the future wrong, if only because they have happy endings. Most readers will find Harari’s narrative deliciously reasonable, including his explanation of the stories (not actually true but rational) of those who elect dictators, populists, and nationalists. His remedies for wildly disruptive technology (biotech, infotech) and its consequences (climate change, mass unemployment) ring true, provided nations act with more good sense than they have shown throughout history.
Harari delivers yet another tour de force.Pub Date: Sept. 4, 2018
ISBN: 978-0-525-51217-2
Page Count: 400
Publisher: Spiegel & Grau
Review Posted Online: June 26, 2018
Kirkus Reviews Issue: July 15, 2018
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