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NEITHER HERE NOR THERE

A FIRST GENERATION IMMIGRANT IN SEARCH OF AMERICAN EXCEPTIONALISM

A cogent look at the United States from someone who’s seen it as an outsider and as an insider.

In his debut, a Dutch immigrant reflects on his decision to permanently relocate his family to the United States and the future of the country he now calls home.

Jager has a unique perspective, informed by his twin experiences of growing up in the Netherlands and raising a family across the Atlantic in America. The book opens with a brief memoir recollecting his time in the Netherlands and, by extension, looks at the plight of Western Europe as the specter of the Soviet Union still haunted the continent. The author draws unexpected comparisons between the political trajectories of the Netherlands and the United States—particularly their commitments to democracy and pluralism—and uses each to critique the other. Although the author finds social life in the U.S. unsatisfying, at best a “mixed bag,” he’s impressed by the country’s economic opportunity, its spirit of entrepreneurship and its historic resilience in the face of adversity. Culturally, however, Jager struggles to reconcile his intellectual cosmopolitanism with what he sees as the general provincialism of Americans isolated from the rest of the world. More than half the work is devoted to an ambitiously comprehensive diagnosis of the country’s current challenges, covering a diverse range of topics that include gun control, campaign spending, health care, unemployment, terrorism, tolerance and inequality. While always thoughtful, the author has no claim to expertise on these subjects and so offers little that’s fresh. His discussion on immigration, however, is enhanced by his own personal experience, and he writes briskly about the ways in which the current system fails: “A problem with the current immigration policy in the USA is that we make illegal immigration too easy and legal immigration too hard!” The book as a whole tries to serve too many functions—personal recollection, sweeping political commentary, cultural analysis—and is a bit disjointed as a result. It does manage, however, to deftly combine serious criticism with a sense of hopefulness, crafting what the author rightfully calls an “optimistic book.”

A cogent look at the United States from someone who’s seen it as an outsider and as an insider.

Pub Date: Aug. 16, 2014

ISBN: 978-0692209776

Page Count: 286

Publisher: Castnet Corp.

Review Posted Online: Oct. 6, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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