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THE EAGLE'S QUEST

A PHYSICIST'S SEARCH FOR TRUTH IN THE HEART OF THE SHAMANIC WORLD

More soul-searching and imaginative (to say the least) hypothesizing by Wolf (Parallel Universes, 1988, etc.)—this time in an attempt to explain shamanistic ``miracles'' in terms of quantum physics. It hurts to be a left-brained guy in a right-brained milieu, and the reader feels for Wolf as he once again attempts to explain extra-normal phenomena (shamanic healing, fire-walking, shape- shifting, out-of-body experiences, time travel, etc.) in terms that a typical modern physicist might agree with and understand. In the end, though, theories of radioactive Druidic stones that transform ultrasensitive children into shamans sound more desperate than satisfactory—as do speculations that shamans heal through sound vibrations and that time travel results from the existence of parallel universes, and shape-shifting is possible due to the observer effect, etc. Much of the book centers on Wolf's journey to the jungles of Peru, where he imbibes liquid distilled from the hallucinogenic ayahuasca plant, communes with local shamans, and emerges ``healed'' in ways obvious only to himself—while reading meaning into such innocuous coincidences as the presence of a comely Peruvian actress at an ayahuasca rite (a trickster-spirit's attempt to distract him, or perhaps a manifestation of Wolf's own feminine half) or the screening of a film about a Peruvian seeker (an amazing manifestation of Wolf's own spiritual journey). Memories of previous encounters with Druids, Cabalists, Buddhists, medicine men, and helpful spirits provide grist for more wide-eyed speculation along the way of what seems to amount to an amazing exercise in wishful thinking. Reality is what you make it, the physicist wistfully concludes—and in Wolf's highly subjective world, nothing could be truer.

Pub Date: Oct. 1, 1991

ISBN: 0-671-67534-6

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1991

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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