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WHIZ TANNER AND THE OLYMPIC SNOW CAPER

A TANNER-DENT MYSTERY

From the Tanner-Dent Mystery series , Vol. 4

Enjoyable writing and effective detective work stand out in this series entry.

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On a family ski trip, two middle school gumshoes try to solve the mystery of stolen Olympic medals in this fourth installment of a series.

For best friends Whiz Tanner and Joey Dent, both 12, visiting a ski lodge with their families is the first vacation they’ve had since starting their detective agency earlier in the school year. But as readers of this series might expect, detective work finds them. Former Olympic skiers Harrison Revel and his brother, Benjamin, helped build the Marsh River Mountain Ski Resort; on display in the lobby are their three medals of bronze, silver, and gold. A small crowd gathers as Harrison opens the case and shows the medals to the kids. That night, the lodge gets snowed in by a blizzard—and in the morning, the medals are missing. The case that held them is discovered in the garbage, but that’s the only clue, because the lobby’s security cameras are down. The Tanner-Dent Detective Agency swings into action with some help from Madilynn and her younger brother, Wyatt, other kids at the resort. They develop and whittle down a list of suspects, lift fingerprints, and set a trap for the most likely culprit. Can they prevent him from fleeing with the loot? Rexroad (Whiz Tanner and the Mysterious Countdown, 2019, etc.) varies his winning formula with a new setting outside the Jasper Springs Museum, a good way to keep things fresh, with the snowed-in lodge providing a reason that adult authorities can’t get involved. The briskly moving story shows solid sleuthing in the details of acquiring fingerprints, checking alibis, and eliminating suspects. It’s not groundbreaking—the super-glue method of raising prints has been around for decades, for example—but it’s realistic. These well-described scenes help make up for an absent feature of the adventure series, the fancy Tanner-Dent crime lab. The two friends make a good team; Joey’s regular-kid narrative voice contrasts well with Whiz’s precise diction and large vocabulary. Joey also brings courage and ability to action scenes.

Enjoyable writing and effective detective work stand out in this series entry.

Pub Date: Aug. 15, 2019

ISBN: 978-1-946650-05-4

Page Count: 155

Publisher: Awesome Quest Mysteries

Review Posted Online: Aug. 9, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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