Treasure hunters face plenty of hurdles in this entertaining, suspenseful tale.

THE TICKET

In this thriller, a Virginia lawyer’s desperate search for a missing lottery ticket worth millions puts his estranged wife and others in danger.

Attorney Channing Booker has just won the lottery, which is a massive $241 million before taxes. But he’s not ready to celebrate just yet. He knows a divorce from his wife, Susan, is imminent, and he doesn’t want to split the fortune. He’ll report the win later with his lawyer friend’s assistance, stashing his ticket in one of Susan’s rare Charles Dickens books. But Channing returns home the next day to find Susan gone, along with some furniture and every Dickens novel. Susan has good reason to leave: Channing, a gambler and habitual drug user, has been physically abusing her. That she’s completely unaware of the ticket doesn’t stop Channing’s hunt for the books. Keeping mum about the valuable bookmark, he enlists the help of loathsome pawn shop owner Billy Scaggs and contends with a nosy attorney at his firm, who assumes Channing is up to something shady. Meanwhile, a sudden car accident threatens to derail Susan’s escape plans. And as Channing’s 180-day period for turning in his ticket gradually diminishes, his despair may escalate into violence. Shackelford (Judges Say the Darndest Things, 2004) provides his story with a dizzying tempo, as he piles on various obstacles for both Channing and Susan. There are perspectives from multiple characters, but they primarily shift between the estranged couple and Lee Barnett, a retired detective who somehow secures evidence of the lottery ticket’s existence. Characters throughout are notable, as even seemingly minor players have solid backstories. But the most indelible are Billy, who’s frighteningly good at tracking down information, and Lee, a flawed potential hero whose pursuit of the ticket involves theft and breaking and entering. The author’s breezy prose is free of obscenities and graphic specifics of brutality, including during the intense final act. Although the inevitable encounter involving the main characters results in a well-earned climax, a romance between two of the players is short and somewhat contrived.

Treasure hunters face plenty of hurdles in this entertaining, suspenseful tale.

Pub Date: Oct. 20, 2018

ISBN: 978-1-64437-009-4

Page Count: 252

Publisher: Black Opal Books

Review Posted Online: May 29, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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