Superbly crafted, exhilarating futuristic tale.
A man capable of transforming into a lethal beast seeks revenge against those responsible for his friends’ deaths in Stevens’ SF/thriller debut.
Ever since the attack on Earth seven years ago, former military strategist David has been training. He blames and has targeted certain individuals for the loss of two beloved friends. His current goal is to train with enigmatic Mr. Three, whom David can only contact by reaching Level 23 in arena combat. David rises in levels by winning arena matches on planet Xalapaz, as he’s a formidable fighter, even more so when he transforms into a Wendigo. He does, however, limit his transformations since he fears losing control. When a stranger offers to help David find one of his targets, he makes a deal, for which he’ll need to get his hands on Turnol, a dangerous substance. He and others form a ragtag crew that includes a swordsman in jailhouse isolation and a princess who’s been framed for murder. More often than not, David and his allies wind up in skirmishes that necessitate Wendigo transformations. All the while, David remains vengeance-minded, seemingly heedless of the innocent victims of his retribution. Stevens’ novel runs at full tilt and comprises copious planetary locales and backstory. He nevertheless grounds his electric narrative with familiar sights, as the myriad species that appear are predominantly anthropomorphized animals or animal hybrids. A Uanelin, for example, resembles “an elongated, four-meter-tall spider” while others sport tentacles, a scorpion tail, etc. The dense plot further entails Tempest, a group of soldiers on Earth that resists the regime of diabolical Enzo, who leads Hyperions (modified humans)—all have ties to David. As the story progresses, a few mysteries gradually unravel. But Stevens, who’s undoubtedly planning a follow-up, lets some questions linger.
Superbly crafted, exhilarating futuristic tale.Pub Date: Oct. 19, 2020
ISBN: N/A
Page Count: 213
Publisher: Self
Review Posted Online: Sept. 25, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Review Program: Kirkus Indie
Well-drawn characters introduce the criminal underworld to the occult kind in a breathless and compelling plot.
A Yale sophomore fights for her life as she balances academics with supernatural extracurriculars in this smart fantasy thriller, the second in a series.
Galaxy “Alex” Stern is a member of Lethe House, the ninth of Yale’s secret societies. And not just any member—she’s Virgil, the officer who conducts the society's rituals. In the world of Bardugo’s Alex Stern series, Yale’s secret societies command not just powerful social networks, but actual magic; it’s Lethe’s job to keep that magic in control. Alex is new to the role. She had to take over in a hurry after the previous Virgil, Darlington, her mentor and love interest, disappeared in a cliffhanger at the end of the first book. He appears to be in hell, but is he stuck there for good? Alex and Pamela Dawes—Lethe’s Oculus, or archivist/administrator—have found a reference to a pathway called a Gauntlet that can open a portal to hell, but can they find the Gauntlet itself? And what about the four murderers the Gauntlet ritual requires? Meanwhile, Alex’s past as a small-time drug dealer is catching up with her, adding gritty street crime to the demonic white-collar evil the Yale crowd tends to prefer. The plot is relentless and clever, and the writing is vivid, intelligent, and funny at just the right moments, but best of all are the complex characters, such as the four murderers, each with a backstory that makes it possible for the reader to trust them to enter hell and have the strength to leave again. Like the first book, this one ends with a cliffhanger.
Well-drawn characters introduce the criminal underworld to the occult kind in a breathless and compelling plot.Pub Date: Jan. 10, 2023
ISBN: 978-1-250-31310-2
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.
The master of supernatural disaster returns with four horror-laced novellas.
The protagonist of the title story, Holly Gibney, is by King’s own admission one of his most beloved characters, a “quirky walk-on” who quickly found herself at the center of some very unpleasant goings-on in End of Watch, Mr. Mercedes, and The Outsider. The insect-licious proceedings of the last are revisited, most yuckily, while some of King’s favorite conceits turn up: What happens if the dead are never really dead but instead show up generation after generation, occupying different bodies but most certainly exercising their same old mean-spirited voodoo? It won’t please TV journalists to know that the shape-shifting bad guys in that title story just happen to be on-the-ground reporters who turn up at very ugly disasters—and even cause them, albeit many decades apart. Think Jack Torrance in that photo at the end of The Shining, and you’ve got the general idea. “Only a coincidence, Holly thinks, but a chill shivers through her just the same,” King writes, “and once again she thinks of how there may be forces in this world moving people as they will, like men (and women) on a chessboard.” In the careful-what-you-wish-for department, Rat is one of those meta-referential things King enjoys: There are the usual hallucinatory doings, a destiny-altering rodent, and of course a writer protagonist who makes a deal with the devil for success that he thinks will outsmart the fates. No such luck, of course. Perhaps the most troubling story is the first, which may cause iPhone owners to rethink their purchases. King has gone a far piece from the killer clowns and vampires of old, with his monsters and monstrosities taking on far more quotidian forms—which makes them all the scarier.
Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.Pub Date: April 20, 2020
ISBN: 978-1-9821-3797-7
Page Count: 448
Publisher: Scribner
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
SEEN & HEARD
SEEN & HEARD
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