Romanticism and Chateaubriand, so they say, were born together, and both, at least in modern scholarship, seem set for a...

READ REVIEW

CHATEAUBRIAND

Romanticism and Chateaubriand, so they say, were born together, and both, at least in modern scholarship, seem set for a revival. Certainly Friedrich Sieburg's tribute to the famed French writer and statesman ranks with the best of current biography, e.g. Maurois' portrait of George Sand, Herod's of Mme de Stael; it also borrows something of its subject's style, enswathed in a mal de siecle elegance of phrase, swarming with people and events all true but larger than life, ranged against a dazzling personal drama and a haute monde spectacular. Chateaubriand grew up at wind-swept Saint-Malo under the Cassandra-like care of his sister; he knew intimations of genius, scintillas of suffering. He journeyed to the Americas in 1790, just as he would travel to the East later on; writing of redskins and savannahs, of secret wounds and primitive idylls, he found himself famous overnight, inundated with perfumed notes and panting bosoms. His liaisons were both lusty and lofty; after some Bonapartist pursuits, he supported the Bourbons, became a peer, a minister plenipotentiary at the Verona Congress, a London ambassador. He went round in a maze of contradictions: an ardent Catholic, he hated monks; avid of conquests and adventures, he craved the voice of the sea and of solitude; lionized as ""l'Enchanteur"" he was also splenetic, savage; the writer-as-hero, ""not fit to be loved"", whose life proved his one real work of art. Under Herr Sieburg's hands that life is once again an historical spellbinder.

Pub Date: Aug. 1, 1962

ISBN: N/A

Page Count: -

Publisher: St Martin's Press

Review Posted Online: N/A

Kirkus Reviews Issue: Aug. 1, 1962

Close Quickview