An engaging, tightly written love story with a dash of suspense.
A debut novel delivers a romance set in the rarefied world of pop-music superstardom.
Kalynn Stearne is a newly minted superstar on the verge of her first big solo tour. She has two platinum albums, industry awards, and a huge fan base. But she also has serious problems. An experience with abuse in her past keeps her from sleeping. She feels smothered by her fame, having to be accompanied by bodyguards wherever she goes. She doesn’t get to do the normal things a 19-year-old does, and everybody wants something from her. It’s hard for her to trust men when every guy she meets, including other pop stars and even her tour director, treats her like a sexual trophy. That’s why her immediate attraction to Layne Kennett, her new tour photographer, is so unusual. Layne has his own troubles—he is on probation and has been given this assignment from his father’s media company as a last chance to go straight. Just to stir the pot, Kalynn has a stalker named Alexa/Alex sending her threatening notes. When Kalynn’s longtime manager, Mae, is found dead, the stalker takes credit for it. Now Kalynn has to work through her trust issues, worry about a creep getting to her and her adopted family, and mount the most important tour of her life. Layne has to keep Kalynn’s trust and still reveal his past as a felon. That’s a lot of stuff working against a happy ending, but this is a romance novel, after all, and a briskly moving one at that. Fairbairn doesn’t break any new ground with this tale, but it does have plenty to offer. The characters, especially Kalynn and Layne, are well-drawn and believable. Their development feels natural, even in extraordinary circumstances. There are plot points, for example, a party in Malibu when Layne sees a pop star hitting on Kalynn, in which the author avoids obvious choices and allows his characters to be more human than caricatures. And his prose is sparkling clean, with never a muddled moment.
An engaging, tightly written love story with a dash of suspense.Pub Date: Nov. 29, 2018
ISBN: 978-1-79049-531-3
Page Count: 428
Publisher: Time Tunnel Media
Review Posted Online: Feb. 21, 2019
Kirkus Reviews Issue: April 1, 2019
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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