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SHEPPARD AND THE FRENCH RESCUE

From the Allies and Enemies series , Vol. 1

A bracing start to a new series about naval warfare.

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A work of speculative fiction focuses on World War II.

This volume, the first in Weatherly’s (Sheppard of the Argonne, 2014) new Allies and Enemies series, follows in the wake of his previous novel. It’s military fiction with a twist, as he explores what naval warfare would have look like during World War II if the 1922 Five-Power Treaty limiting shipbuilding hadn’t happened. In his author’s note, he explains, “I chose to accelerate some technology development such as ship building, metallurgy, ordinance, and radar, while keeping others such as aircraft close to the actual timelines since that development was not restricted by treaty.” As this tale opens, Capt. Sheppard McCloud is a reluctant national hero after the Allies’ victory in the Battle of Cape Vilan. Instead of celebrating, Sheppard remains haunted by the many sailors who died: “Oceanic swells left no tombstones, no markers for young lives snuffed short at his order.” Although Sheppard enjoys his days with his soul mate and wife, Evelyn, he’s soon temporarily distracted from his nightmares by new orders. He and his Argonne crew must sneak Adm. John Hamblen across the Atlantic to persuade the French navy not to turn over their ships to the Axis. But it’s hard to hide a massive battle cruiser such as the Argonne, and before long, Sheppard is entangled in a conflict that he is unlikely to win with the Italians and Germans. Weatherly has a sterling protagonist in the tormented Sheppard, who is highly skilled as a leader but who tends to dwell on his losses rather than his wins. The author’s detailed descriptions of the battles give the reader a real “you-are-there” feeling. The flip side is that the minutiae he provides can be overwhelming at times. Do readers really need a two-page, step-by-step description of how shells are fired? Still, Weatherly makes it possible to hear the crash of the guns and the rending of steel as a shell hits. Readers don’t have to understand everything the author supplies to realize how much must go right for a ship to survive rather than sink. That’s why his books work.

A bracing start to a new series about naval warfare.

Pub Date: March 1, 2017

ISBN: 978-1-63393-362-0

Page Count: -

Publisher: Koehler Books

Review Posted Online: May 16, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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