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Sheppard of the Argonne

A creative addition to the annals of fictional naval warfare.

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This inventive debut wartime novel transports military buffs right into the heart of the action.

Weatherly, a pen name for a retired U.S. Navy captain who commanded three ships over 30 years of service, has chosen an intriguingly flawed protagonist for this World War II–set story. In 1942, Capt. Sheppard McCloud is lauded as a national hero. He commanded the USS Shenandoah in a failed counterattack against the Japanese after the surprise attack on Pearl Harbor. He’s now recovering from a serious leg injury from that assault and keeps blaming himself for the deaths of his crew members that day. The Navy finds him fit for duty again, but his unspoken doubts remain: “Now that his physical injuries were healing, the Navy assumed that Sheppard was still that confident leader…but they were wrong.” McCloud soon finds himself in command of the battle cruiser Argonne, part of a battle group tasked with an important mission to secure shipping lanes from German U-boats, ships and planes so that badly needed supply convoys can reach the beleaguered British. The question is whether he’s up for the challenge and whether he can outrun his ghosts: “He had to become the confident leader again for the sake of his new command. He knew that if he failed, the men would doubt him and more sailors—his sailors—again…would die.” Weatherly does a masterful job of describing the American, British and German soldiers who will eventually take part in the battle, and most importantly, he makes readers become invested in these characters. He also accomplishes the tricky task of supplying enough detail for hard-core military aficionados without derailing casual readers. Overall, he successfully brings the world of naval warfare to life in all its sound and fury. However, he never glorifies it, as he also paints the sobering aftermath in somber tones.

A creative addition to the annals of fictional naval warfare.

Pub Date: May 29, 2014

ISBN: 978-1491731925

Page Count: 352

Publisher: iUniverse

Review Posted Online: Nov. 24, 2014

Kirkus Reviews Issue: Jan. 15, 2015

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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