Sir Arthur Conan Doyle and Harry Houdini meet in New York and set about plumbing the depths of spiritualism, while an intrepid reporter sniffs around for the truth.
The second novel from Brownstein (The Curious Case of Benjamin Button, Apt. 3W, 2002) features earnest debates on the afterlife and the thrumming energy of Manhattan in full Prohibition bloom. Set in the spring of 1922, it concerns the relationship between old friends Doyle and Houdini. The normally scientific Doyle has become a believer in spiritualism, something that Houdini has made it his mission to debunk. This low-key conflict between the men is brought to the fore by Doyle’s championing of famous (and heart-stoppingly beautiful) medium Margery and the attempts of hard-driving reporter Molly Goodman, who tries her best to get the scoop on what Doyle and Houdini are bickering about. The twined stories of the Doyle-Houdini debate and Molly’s investigation of same don’t quite come to a satisfying conclusion—indeed, Molly’s idealistically conflicted inner life is ultimately more engaging than much of the fanciful plot. But the author does have a knack for coloring pages with odd detail, as in his description of Molly’s living arrangement: “Molly rented a room in a Greenwich Village walk-up on Gay Street, where the last of the neighborhood Negroes lived. The bathroom was in the hall, and there was a painter, Pignoli, who used the tub to wash his terrier, Goldman.” Mindful of the charlatanism of the séances and spirit photographs that dominated the spiritualist fad of the time, he is careful not to let the book become overly cynical and even leaves open the chance that Margery could be an actual visionary (it’s just that her visions are not of departed relatives but of calamitous historical events soon to come) The writing is good, but there’s quite a lot that doesn’t come together.
Pub Date: Sept. 1, 2005
ISBN: 0-393-05152-8
Page Count: 320
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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