THE SUN AND THE VOID

As the barrier separating the god Rahmagut from the world thins, the ambitious and desperate rally to seek his favor.

After the death of her father, Reina has had to survive alone in a society unable to see past her ears and tail, which betray the fact that her mother was a nozariel and not quite human. Humans once enslaved nozariels, and though slavery is now outlawed, society is still deeply divided. When Reina’s estranged grandmother summons her to the Águila Manor, Reina leaves at once. Meanwhile, far away, Eva is singled out within her own family for her valco blood, deemed dangerous and warlike by humans. The Águilas are valcos as well, and Reina must prove herself useful to the family’s head, Don Enrique. Reina throws herself into her work, learning magic tied to the dark god Rahmagut from her grandmother and fighting the dangerous creatures conjured by Rahmagut’s powers alongside the beautiful Celeste and the vicious Javier. Reina experiences a new world of magic and devotion to a god other than Ches, who is revered for trapping Rahmagut in a void beyond the world. Rahmagut promises power for whomever completes an invocation on the few days when his constellation appears. Those days fast approaching, Don Enrique works with single-minded purpose to gain Rahmagut’s favor, though he is not the only one in his household who would think to summon a god. Simultaneously, Eva’s path brings her ever closer to the Águilas. The lush and varied landscape as well as the clear effects of colonialism and revolution are all inspired by Venezuela, creating a rich, complex world. Featuring morally gray characters and a plethora of relationships among women, both Sapphic and platonic, the book has an occasionally heavy hand in terms of characterization, but that doesn't detract from the overall scope of the plot.

An ambitious new fantasy with a unique setting and broad cast of characters.