Playfully drawn and provocatively written, the memoir reinforces Bell's standing among the first rank of the genre’s artists.
“Graphic memoir” only hints at the artistry of a complex, literary-minded author who resists the bare-all confessionalism so common to the genre and blurs the distinction between fiction and factual introspection.
Who are “The Voyeurs?” In the short, opening title piece, they are a mixed-gender group standing on an urban rooftop, watching a couple have sex through a window in a nearby building. They tend to find the experience “uncomfortable,” even “creepy,” though those who remain raptly silent may well be more interested, even titillated. Bell (Lucky, 2006, etc.) is also a voyeur of sorts, chronicling the lives of others in significant detail while contemplating her own. As she admits before addressing an arts class in frigid Minneapolis, where she knows the major interest will be on how she has been able to turn her comics into a career, “I feel I need to disclaim this ‘story.’ I set myself the task of reporting my trip, though there’s not much to it, and I can’t back out now. It’s my compulsion to do this, it’s my way, I suppose, of fighting against the meaninglessness constantly crowding in.” The memoir encompasses travels that take her from Brooklyn to Los Angeles and from Japan to France, while addressing the challenges of long-distance relationships, panic attacks, contemporary feminism, Internet obsessiveness, the temptation to manipulate life to provide material for her work, and the ultimate realization, in the concluding “How I Make My Comics,” of her creative process: “Then I want to blame everyone I’ve known ever for all the failures and frustrations of my life, and I want to call someone up and beg them to please help me out of this misery somehow, and when I realize how futile both these things are I feel the cold, sharp sting of the reality that I’m totally and utterly alone in the world. Then I slap on a punchline and bam, I’m done.”
Playfully drawn and provocatively written, the memoir reinforces Bell's standing among the first rank of the genre’s artists.Pub Date: Sept. 4, 2012
ISBN: 978-0-9846814-0-2
Page Count: 160
Publisher: Uncivilized Books
Review Posted Online: Nov. 5, 2012
Kirkus Reviews Issue: Aug. 15, 2012
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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