by Gabrielle Hamilton ‧ RELEASE DATE: March 8, 2011
After initially disdaining a career in food as one devoid of “meaning and purpose,” she finds both here.
In this provocative debut, a renowned chef finds her fulfillment as a writer.
Though a passion for food provides Hamilton’s theme and focus, her passion for writing distinguishes this memoir from similar behind-the-kitchen volumes. In fact, her accomplishment as the owner and chef of Prune, in New York City, seems less like destiny than the result of a series of detours, from the broken family that left her to support herself with a series of food jobs since her early teens, when petty crime and casual drugs also marked her life, through her on-again/off-again college studies that culminated in an MFA in fiction writing from the University of Michigan. “I was not looking to open a restaurant,” she writes of the quixotic leap she made into the profession—despite never having worked as a chef, written a business plan or had any idea of the legal processes involved in converting an abandoned space into a tiny bistro that would quickly come to gross almost $2 million a year. While the centerpiece of the book is an amazing chapter that finds the foundation of Prune—its spirit of hospitality—in her experiences as an impoverished international vagabond, the restaurant provides only one dimension of the narrative’s richness. In a manner that is never glib or sentimental, Hamilton proceeds from the childhood innocence of her family’s unraveling through the life of a precocious hustler for whom introspection was a luxury through the romantic complications of leaving her longtime female lover for the Italian man she would marry. This union that would provide her with something like the family she had lost decades earlier, but a marriage that would prove both turbulent and unconventional (the couple had two children in their first seven years of marriage without living together).
After initially disdaining a career in food as one devoid of “meaning and purpose,” she finds both here.Pub Date: March 8, 2011
ISBN: 978-1-4000-6872-2
Page Count: 300
Publisher: Random House
Review Posted Online: Oct. 24, 2010
Kirkus Reviews Issue: Nov. 15, 2010
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by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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by Emmanuel Carrère translated by Linda Coverdale ‧ RELEASE DATE: Sept. 13, 2011
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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