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DEAD GIRLS DON’T WRITE LETTERS

A creepy psychological thriller offers a slick update to the parable of the returning prodigal. With her mother sunk deep in depressive lethargy, and her father indulging in alcoholic binges, 14-year-old Sunny has become the only functioning member of her family since the accidental death of her brilliant, beautiful older sister Jazz. Tossing a bombshell into this corrosive family circle is a letter from Jazz, announcing that the reports of her demise have been greatly exaggerated. But the Jazz who arrives is an imposter; or so Sunny insists, and her father grudgingly concedes, even though her mother accepts her with painful joy. But this Jazz seems to know too many intimate family details, and fit in far too well—or maybe that’s just what Sunny, so often outshone by her sister’s glamour, and the victim of her secret spite, wants to believe. Lies pile upon lies, and secrets upon secrets, in a twisty narrative that turns in on itself so often that the reader is left not knowing quite what is real. Giles (Shattering Glass, 2002) here shows the same acute psychological observation and masterful sense of pacing of her sensational debut, but without the same depth and subtlety. While Sunny is drawn with a sensitive hand, the rest of the characters are too over-the-top to be convincing, and the plot has the feel of a drawn out short story. Still, teen readers will love having their preconceptions continually turned topsy-turvy, and will endlessly debate the tale’s maddeningly ambiguous conclusion. Another winner. (Fiction. 12+)

Pub Date: March 1, 2003

ISBN: 0-7613-1727-9

Page Count: 144

Publisher: Roaring Brook Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2003

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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CLAP WHEN YOU LAND

A standing ovation.

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    Best Books Of 2020


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Tackles family secrets, toxic masculinity, and socio-economic differences with incisive clarity and candor.

Camino Rios lives in the Dominican Republic and yearns to go to Columbia University in New York City, where her father works most of the year. Yahaira Rios, who lives in Morningside Heights, hasn’t spoken to her dad since the previous summer, when she found out he has another wife in the Dominican Republic. Their lives collide when this man, their dad, dies in an airplane crash with hundreds of other passengers heading to the island. Each protagonist grieves the tragic death of their larger-than-life father and tries to unravel the tangled web of lies he kept secret for almost 20 years. The author pays reverent tribute to the lives lost in a similar crash in 2001. The half sisters are vastly different—Yahaira is dark skinned, a chess champion who has a girlfriend; Camino is lighter skinned, a talented swimmer who helps her curandera aunt deliver neighborhood babies. Despite their differences, they slowly forge a tenuous bond. The book is told in alternating chapters with headings counting how many days have passed since the fateful event. Acevedo balances the two perspectives with ease, contrasting the girls’ environments and upbringings. Camino’s verses read like poetic prose, flowing and straightforward. Yahaira’s sections have more breaks and urgent, staccato beats. Every line is laced with betrayal and longing as the teens struggle with loving someone despite his imperfections.

A standing ovation. (Verse novel. 14-18)

Pub Date: May 5, 2020

ISBN: 978-0-06-288276-9

Page Count: 432

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

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