THE COLOR OF AIR

In 1930s Hawaii, a tightknit community grows even closer in the weeks after the eruption of a nearby volcano threatens their town and brings up old secrets.

Tsukiyama delivers the reader to the lush landscape of Hawaii on the day in 1935 when a prodigal son’s return coincides with the eruption of Mauna Loa, a true event. Daniel Abe is a successful doctor in Chicago, but two years after his mother Mariko’s death, a secret drives him home to Hilo, Hawaii. As he arrives, the volcano erupts. In the weeks it takes for the lava to flow toward the town, Daniel’s childhood community comes together as they always have. With interludes of “ghost voices” and “island voices,” the book reveals characters and events from decades prior, deepening the richness of the community. Told in close third person from various perspectives, the narrative draws the reader into the family ties and abundant landscape of Hilo. Tsukiyama writes her characters into the fabric of a time and place where the sugar cane industry was king; people from all over the world are recruited as workers only to be exploited by the plantation owners, and attempts at unionization are violently extinguished. In Hilo, “a chorus of Portuguese, Chinese, Tagalog, and Japanese languages all melded into one indistinguishable song,” but people were kept “separated by ethnic groups, just as the owners planned.” Yet the mosaic of characters creates a family: “Not born to be, yeah…but chosen to be.” Through tragedy and joy, Tsukiyama crafts characters whose reliance on each other is their greatest strength, with many strong women leading the way. The dialogue flows easily, and the landscape is rendered with such vibrance that the reader will become fully immersed in the sensory details.

Well-paced and lush, this is a captivating historical novel that shows the power of love and human resilience.