While the title seems pitched to Tom Jones fans, this mystery will appeal more to fans of lighthearted romantic cozies with...
The life of a mousy rest home receptionist is upended when she attends a Tom Jones tribute artist festival and murder intervenes.
Ellie Overton is 28 and single since the current crop of soul-patched hipsters can’t hold a candle to the flamboyant macho man of her dreams, singer Tom Jones. When a Tom Jones Festival, featuring dozens of wannabes with varying degrees of talent, swings through her home town of Pankey, Pa. (along with sister city Hankey), Ellie decides to fork over some of her hard-earned pay as general dogsbody at the Finger Rest Home for a weekly pass. To her surprise, her childhood frenemy Happy Carlisle is there—married to Flip Henderson, one of the top contenders. The first night’s entertainment is cut short when the other top contender, Stan McCann, crashes through the stage steps and breaks a leg in the latest of a series of “accidents” plaguing tribute artist contests. Ellie returns the next night with a carload of rest home residents; Happy sets her up with an eliminated contestant, Evan Salter, but the date goes quickly south when Evan is found standing over Flip’s dead body with the murder weapon in his hand. Ellie’s life becomes increasingly complicated when her boss, Mr. Finger, holds her responsible for bringing his clients into a dangerous situation. She feels compelled to help Evan, who claims to be innocent, flee the police, while Happy latches onto Ellie to cater to her not-particularly-devastated widowhood. Happy’s dweebish brother, Donny, turns out to have matured into an eligible attorney with an unfortunate drinking problem, and sexy police detective Marc Levy does his darnedest to sweep Ellie off her feet. The rest home residents, Mrs. Peachey, Mrs. Hand and Mr. Harvey, along with handyman/driver Jorge, supply insight, support, comic relief and wardrobe advice. Martin (Grace Unexpected, 2012, etc.) has written an amusing cozy/romance, though the title is somewhat misleading: The Tom Jones tribute artist theme isn’t especially vital to the story; it could have taken place at any kind of venue with an element of competition. Murder takes a decided back seat to Ellie’s romantic quandaries, dividing her interest and loyalties among Evan, Donny and Marc, though, in fact, Ellie’s relationships with her elderly charges are the real heart of the story.
While the title seems pitched to Tom Jones fans, this mystery will appeal more to fans of lighthearted romantic cozies with fairly conservative social views.Pub Date: Jan. 16, 2014
ISBN: 978-1620151976
Page Count: 252
Publisher: Booktrope Editions
Review Posted Online: March 6, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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