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DANCING AT THE EDGE OF LIFE

A MEMOIR

A young woman’s articulate and passionate journal of the last 13 months of her life. Warner, an award-winning poet and journalist (coauthor, with Michael Shuman, of Citizen Diplomats: Pathfinders in Soviet-American Relations and How You Can Join Them,1987), was diagnosed with lymphoma at the age of 30. Her intensely personal record of living with cancer, filling nearly a thousand handwritten pages at the time of her death, is a remarkable document. What is probably most astonishing is the spirit, the optimism with which she battled her cancer, first with chemotherapy, later with radiation therapy, and still later with a bone marrow transplant. Warner’s religious beliefs permeate her journal; to categorize them is impossible, even for her (she entered “private” on a hospital form requesting such information) but the phrase “earth-based spirituality” probably comes close. A nature lover and an active environmentalist, she saw her cancer-invaded body as a metaphor for the earth: She likened the tumor growing in her chest to “Los Angeles suburban growth,” and when her breath came in wheezes, she thought of “the earth being strangled by overpopulation.” A close observer both of the natural world and of her own body, she described herself unsparingly yet uncomplainingly as “ripening and aging like a fruit” as radiation took its toll, and she visualized the ordeal of a bone marrow transplant as a ritual of purification involving the mythic elements of water, fire, air, and earth, leading to a rebirth. The nature of evil, disease, healing, love, creativity, prayer, fear, pain, dying, death, and reincarnation—Warner recorded her thoughts on all of these. Three days before she died, she turned her journals over to her husband, who, in a brief afterword, recounts her final hours. A powerful account of a life fully lived and a death bravely faced.

Pub Date: June 10, 1998

ISBN: 0-7868-6392-7

Page Count: 224

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1998

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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