As thrilling and riveting as any staging.
Shakespeare’s tragic lovers receive star treatment in this spellbinding graphic-novel production.
Hinds as director, set designer and writer has expertly abridged the original text while embellishing it with modern sensibilities. His edition retains the flavor and poetry of the 1597 play and its memorable and oft-quoted dialogue. It is in the watercolor and digitally illustrated panels that he truly presents a stunning visual reading. Juliet and the Capulets are from India. Romeo and the Montagues are from Africa. Thus, the political rivalries of Verona become contemporary and more meaningful to 21st-century readers. The Capulets are dressed in reds and the Montagues in blue—all against the finely rendered lines of Verona’s buildings and Friar Laurence’s monastery. Beautiful shades of blue infuse the night sky as the two lovers swear their eternal devotion. The panels vary in size to control the pace of the plot. Sword fights pulse with energy and occasional karate thrusts for added drama. The most moving image—a double-page spread without words—is depicted from above in shades of gold and brown stained red with blood as Romeo and Juliet lie dead and immortalized in each other’s arms.
As thrilling and riveting as any staging. (author’s note) (Graphic drama. 12 & up)Pub Date: Sept. 10, 2013
ISBN: 978-0-7636-5948-6
Page Count: 144
Publisher: Candlewick
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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