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YOUNG AND DAMNED AND FAIR

THE LIFE OF CATHERINE HOWARD, FIFTH WIFE OF KING HENRY VIII

Dense with material and flavor of the epoch.

An intimate biography of Henry VIII’s fifth queen: vivacious young woman who only wanted to have fun or a tragic victim of abusive elders?

In his largely sympathetic portrait of Catherine Howard (1523-1542), whose youthful flirtations spelled her downfall, Irish playwright and historian Russell (The Emperors: How Europe's Rulers Were Destroyed by the First World War, 2014, etc.) renders a fully fleshed portrait of Howard based around the details of her household and intimates. Indeed, the author’s study is so intricately woven in contextual detail that he often fails to see the forest for the trees—e.g., what were Catherine’s true motivations; was she just a flimsy bystander to her own fate? Her pampered upbringing as a noblewoman (granddaughter to Thomas Howard, the 2nd Duke of Norfolk) and sense of natural entitlement did not shield her from her father’s habitual indebtedness, and she received little in the way of formal education. Catherine was a ward of her rich aunt Agnes, the Dowager Duchess of Norfolk, and her teenage years were dotted with infatuations—e.g., with her music teacher, Henry Manox, and her aunt’s secretary, Francis Dereham. Russell sifts carefully through the evidence and dismisses the explanation of sexual abuse, as clearly Catherine was in love, especially with Dereham and later, as queen, with Thomas Culpeper, a handsome favorite of her husband. Her 16-month stint as queen revealed “the Henrician court in its twilight, a glittering but pernicious sunset,” when Henry had just divorced Anne of Cleves because he disliked her and impulsively married the charming Catherine on the day Thomas Cromwell was executed, July 28, 1540. Perhaps the marriage was engineered by her uncle Norfolk, who had grown jealous and suspicious of the former Protestant chief minister. Russell’s portrait effectively underscores the machinations of this volatile court, the treachery of sycophants, and the importance of the all-seeing servants.

Dense with material and flavor of the epoch.

Pub Date: April 4, 2017

ISBN: 978-1-5011-0863-1

Page Count: 464

Publisher: Simon & Schuster

Review Posted Online: Jan. 23, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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