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HENRY ADAMS AND THE MAKING OF AMERICA

It seemed like a great match: one historian fascinated by the paradoxes of power writing about a great predecessor. But...

Wills (The Rosary, 2005, etc.) may have attempted something beyond even his considerable powers in this overly ambitious examination of the great American historian Henry Adams (1838–1918).

When remembered at all, Adams’s multi-volume, epic history of the administrations of Jefferson and Madison, collectively referred to here as the History, has been criticized (notably by historian Richard Hofstadter) for its negativity. Wills argues that this is a willful misreading derived from considering only the works’ first chapters, which focus on the largely unformed America of 1800. Moreover, Adams’s The Education of Henry Adams looms so large in the Adams canon that all his other works are subsumed in its penumbra of pessimism. Though righting the balance by underscoring Adams’s essential nationalism and optimism, Wills unnecessarily bogs down his analysis with a long recapitulation of his subject’s narrative. In the first third of his book, Wills discusses the elements that prepared Adams to write his masterpiece, including a fascination with the South and extensive travel. Rebutting the charge that Adams was continuing longstanding family feuds with the Democratic-Republicans, Wills convincingly points out that this great-grandson and grandson of Presidents John and John Quincy sometimes displayed hostility to his fabled forebears. And he makes a great case that Adams’s epic is a “nonfiction prose masterpiece of the nineteenth century in America,” one that pioneered the use of foreign and domestic archival sources, blended intellectual, military, diplomatic and economic history, and distilled it all in a richly ironic voice. Ultimately, however, in the last two-thirds of this book, Wills merely covers the same ground as Adams, and pulls from his own “Negro President”and James Madison.

It seemed like a great match: one historian fascinated by the paradoxes of power writing about a great predecessor. But Wills loses his focus—and, oddly enough, even his own familiar provocative voice.

Pub Date: Sept. 14, 2005

ISBN: 0-618-13430-1

Page Count: 448

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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