Wills has good reason to share his own reading and study of the Quran with a populace largely ignorant of its contents, but...
Pulitzer Prize–winning author Wills (Emeritus, History/Northwestern Univ.; The Future of the Catholic Church with Pope Francis, 2015, etc.) defends the Quran in this layperson’s review.
Looking at the sacred text of Islam with unashamedly Western and inexpert eyes, the author finds that little of what most non-Muslims think about the book is true. In the first quarter of the book, Wills explains the impetus for studying the Quran: the West’s many post–9/11 blunders in the Middle East. The author does not mince words, arguing that the conservatives in the George W. Bush administration rushed into a war with a people, culture, and religion they failed to understand. Given an age of ignorance and fear, writes Wills, “it is time for us to learn about the real Islam, beginning with its source book.” The author goes on to explore various aspects of the Quran, often comparing it to the Old Testament and often pointing out popular misconceptions and quotes taken out of context in the West. While being clear that “the terrorists in modern Islam are not knowledgeable of their own religion in either profession or practice,” Wills focuses not on Muslims who misread the text but on Westerners who misread it or, more to the point, never read it at all. He points out that in cases of less-than-kind passages, Christianity and Judaism have such lines of scripture of their own (such as prohibitions against apostasy). Wills goes further to note that harsh acts described by the Quran have been equaled or even surpassed in Christian history as well. Compare, he suggests, the Quranic rule about amputating a hand or foot with the realities of 16th-century tortures and executions of heretics in England.
Wills has good reason to share his own reading and study of the Quran with a populace largely ignorant of its contents, but he does so in a vacuum, unattached from the many cultural expressions of this sacred text’s adherents.Pub Date: Oct. 3, 2017
ISBN: 978-1-101-98102-3
Page Count: 240
Publisher: Viking
Review Posted Online: Aug. 21, 2017
Kirkus Reviews Issue: Sept. 1, 2017
BOOK REVIEW
BOOK REVIEW
A very welcome instance of philosophy that can help readers live a good life.
A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.
“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.
A very welcome instance of philosophy that can help readers live a good life.Pub Date: Feb. 18, 2020
ISBN: 978-0-300-25093-0
Page Count: 200
Publisher: Yale Univ.
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
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