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BENJAMIN’S TREASURE

In 1951, beloved illustrator Williams (Stuart Little, Bedtime for Frances, the Little House books) published a novel called The Adventures of Benjamin Pink. Rosemary Wells has colored reproductions of the original black-and-white illustrations, using paints available in the ’50s in a palette from Williams’s own work. This episode has text that has been abridged for a picture-book format and the result is old-fashioned, but charming. On a clear morning, bunny Benjamin Pink decides it is a perfect day for fishing, and off he goes, waving to his wife Emily. But the day clouds over, a storm comes up, and Benjamin finds himself shipwrecked on a desert island. Lo! He finds a pirates’ buried treasure chest. He meets a turtle named Theodore, and, over mint tea and berries, they try to work out a way of getting Benjamin, and the treasure, home. Benjamin builds a raft, the turtle enlists his friend the porpoise, but another storm comes up, and our bunny hero finds himself without a ride and on the wrong island, with the treasure in the hands of monkeys. He starts over, is towed home by a shark, and finds his Emily waiting. There’s still a pearl in his ear left over from his adventures, but he tells Emily that she’s his true treasure. While the story is a bit forced, the images are vintage Williams, warm and fuzzy and just right. (Picture book. 4-8)

Pub Date: March 31, 2001

ISBN: 0-06-028740-3

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2001

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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KNIGHT OWL

A charming blend of whimsy and medieval heroism highlighting the triumph of brains over brawn.

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A young owl achieves his grand ambition.

Owl, an adorably earnest and gallant little owlet, dreams of being a knight. He imagines himself defeating dragons and winning favor far and wide through his brave exploits. When a record number of knights go missing, Owl applies to Knight School and is surprisingly accepted. He is much smaller than the other knights-in-training, struggles to wield weapons, and has “a habit of nodding off during the day.” Nevertheless, he graduates and is assigned to the Knight Night Watch. While patrolling the castle walls one night, a hungry dragon shows up and Owl must use his wits to avoid meeting a terrible end. The result is both humorous and heartwarming, offering an affirmation of courage and clear thinking no matter one’s size…and demonstrating the power of a midnight snack. The story never directly addresses the question of the missing knights, but it is hinted that they became the dragon’s fodder, leaving readers to question Owl’s decision to befriend the beast. Humor is supplied by the characters’ facial expressions and accented by the fact that Owl is the only animal in his order of big, burly human knights. Denise’s accomplished digital illustrations—many of which are full bleeds—often use a warm sepia palette that evokes a feeling of antiquity, and some spreads feature a pleasing play of chiaroscuro that creates suspense and drama.

A charming blend of whimsy and medieval heroism highlighting the triumph of brains over brawn. (Picture book. 4-8)

Pub Date: March 15, 2022

ISBN: 978-0-316-31062-8

Page Count: 48

Publisher: Christy Ottaviano Books

Review Posted Online: Dec. 15, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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