Starts promisingly with the launch of an oil empire but sputters in the dystopian, detail-laden second half.


Oil tycoons in West Texas spend decades planning and building a survivalist underground bunker in Andersen’s debut novel.

Chip Faraday has become well-known in the tech world for his management skills and his talent at spotting trends, but he has just blown a deal in China and is unsure of his next move. He is approached by Jack Barnett Jr., son to an Irish immigrant who became an oil baron, and decides to give him a call. Decades earlier, Jack Barnett Sr. and a Russian immigrant named Robert Barzinsky spent many years in Texas amassing enormous wealth from oil and land acquisitions. As arch conservatives, they despised government bureaucracy and all of its snooping, while the surly Robert wasn’t liked by many Texans: “Most people hated Robert and for good reason, he was not nice to most people.” Their business acumen made them the stuff of legends, but their paranoia led them to build a 3-million-square-foot bunker. Now, with Robert and Jack Sr. deceased, Barnett Jr., who is gravely ill, wants Faraday to join their secretive survivalist group, Project NewLand, Code name: Zeus. When Barnett Jr. dies, the torch is passed to Faraday. Suddenly, the world faces a catastrophe that puts Project NewLand to its ultimate test. Andersen’s novel has elements of historical and dystopian fiction, with flashbacks telling compelling rags-to-riches tales about American immigrants. The backstories are lengthy, however, and when the narrative moves exclusively to the present, there is a great deal of general talk about logistics, management, and career prospects of many different characters, peppered with the occasional jab at liberalism and the interesting addition of an outspoken woman from the Bronx. The latter half of the book starts to sound like an endless business meeting, and when the major crisis finally hits, it’s anticlimactic.

Starts promisingly with the launch of an oil empire but sputters in the dystopian, detail-laden second half.

Pub Date: Oct. 28, 2015

ISBN: 978-1-5144-1739-3

Page Count: 298

Publisher: XlibrisUS

Review Posted Online: Oct. 17, 2018

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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