Enthusiastic but lackluster travel writing.
An English journalist’s account of his three-month summer walking tour of Great Britain.
For Hayden (You Kant Make It Up!: Strange Ideas from History's Great Philosophers, 2011), walking had always been “a rather dull affair.” But when his wife, Wendy, proposed that they do the “End-to-End,” a walkabout that extended from the northeastern tip of Scotland to the southwestern tip of England, he could not resist the physical challenge. The two set off from John o’Groats, which had won an award in 2010 as “Scotland’s most dismal town.” The journey got off to a difficult start, with Hayden and Wendy forced to use the tarmacked roads they had wanted to avoid. Suffering from frequent foot and body soreness, the author soon found his thoughts turning to philosophy. During the boring, rainy days on the trek to Inverness, for example, a brooding Hayden recalled Bertrand Russell’s observations that “external interests are key to happiness.” As the footpaths of the beautiful Scottish Highlands opened to them, the mood lightened. Hayden’s thoughts turned to Epicurus, who believed that the simple things—such as biscuits and coffee after a hard day’s walk—often brought the most intense pleasures. The “pitfalls and privations” of the magnificent Pennine Way followed, which led Hayden to contemplate Viktor Frankl’s idea that it was struggle for a worthy cause that made life meaningful. Through wind and fog, sun and rain, the pair traveled such celebrated routes as the Heart of England and Cotswold Ways, where they encountered “woodland and pasture…ploughed fields…and ancient town[s] with enchanting Tudor cottages.” Unfortunately, the author’s descriptions of these and other treasures he encountered on the way are pedestrian and perfunctory. Observing Hayden relearning how to delight in “simply being” may offer satisfaction for some readers, but the overall narrative comes across as trite and unoriginal.
Enthusiastic but lackluster travel writing.Pub Date: July 12, 2016
ISBN: 978-1-78074-656-2
Page Count: 240
Publisher: Oneworld Publications
Review Posted Online: April 17, 2016
Kirkus Reviews Issue: May 15, 2016
A very welcome instance of philosophy that can help readers live a good life.
A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.
“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.
A very welcome instance of philosophy that can help readers live a good life.Pub Date: Feb. 18, 2020
ISBN: 978-0-300-25093-0
Page Count: 200
Publisher: Yale Univ.
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf