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RESENTMENT

Novelist, essayist, and playwright Indiana (Rent Boy, 1994; Gone Tomorrow, 1993, etc.) brings together the insane events and natural disasters of our day in a novel that's most emphatically not a roman Ö clef but a fiction in which real life serves as ``honorary ballast for an entirely speculative'' narrative. The subject is death, Los Angelesstyle, and at story's center is the ongoing murder trial of two brothers who are accused of shooting their parents to death in what prosecutors claim was cold- blooded murder for inheritance, and what the defense claims was a preemptive strike against a sexually abusive father and his enabling wife. Sound familiar? Transcripts of the trial punctuate Indiana's larger narrative, which mainly follows the experiences of Seth, a gay East Coast journalist on assignment to cover the high- profile courtroom antics. Panoramic in scope, with all the sub- stories loosely linked, this pansexual melodrama seems to suggest that we're all killers in one fashion or another, and that father- son incest is at the root of much maladjusted behavior. Indiana waxes ironic about a wide range of types, from the presiding judge's secret life as a stalker to a taxi driver with AIDS whose affair with some rough trade is far more dangerous than he realizes. There's also the son of the washed-up soap star, who casually kills male tricks; the key trial witness with a bad case of Tourette's; and an overweight housewife who hopes to leave her husband for one of the brothers. Seth finds that violent dreams and tacky realities are hopelessly intertwined in California. Indiana's wickedest cuts, though, are reserved for the minor players, especially the on-target jabs at characters who resemble Dominick Dunne, Kathy Acker, and Jamaica Kincaid, to name a few. The clever parts never add up to a convincing whole here, just lots of trite (if acidic) riffs on our peculiarly skewed culture. (Author tour)

Pub Date: July 1, 1997

ISBN: 0-385-48429-1

Page Count: 320

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1997

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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