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THE PACIFIC DEPTHS

Charles isn’t terribly charismatic, but his integrity and seemingly endless resources make for a great read.

A billionaire’s attempts to make profound changes to counter global problems such as climate change are met with severe resistance from the U.S. president in Stephenson’s debut thriller.

New Zealander Charles Langham, at a United Nations meeting, implores the U.N. to take more active roles in combating famine and the deforestation of rain forests and promoting alternative fuels. This plea includes a vague warning, giving the U.N. a week to comply or Charles will take action. It seems that U.S. President Mike Read, who views Charles as a threat to the American economy, may be the billionaire’s biggest adversary. President Read sends a U.S. ship after Charles’ superyacht, Sundancer, presumably to attack, and Charles responds by disabling the vessel with an electromagnetic pulse fired from one of his subs. Charles then makes a statement to the public that he plans to use a device to create two tsunamis (designed to inflict only “minor damage”)to hit the U.S., but Read soon sends a covert team to eliminate Charles. The novel embraces its climate change message by directly addressing the issue, and its suggested solution—Charles sends specialists to countries to help the people become self-reliant—is both practical and feasible within the novel’s context. America initially is the villain, but as the story progresses, it’s clear that the true antagonist is President Read, who gradually loses the support of other nations and even his own advisers. The bulk of the novel is essentially a showdown between Read and Charles, who seemingly has enough money and employees to be a viable opponent for a man who leads a country. There’s very little suspense, however, as Charles is never in any real danger; he’s protected by boats, submarines, “extremely well paid” security teams and a deep-sea HQ. Stephenson does occasionally jumble the dialect: Americans use foreign slang like “bloody,” “[b]ugger” and “chap.” But he supplements his story by moving beyond the U.S. situation, including Charles’ team making a strike against a drug cartel in Brazil, and spotlighting strong characters—although the book is nearly stolen by Abbey, Charles’ border collie, who has more personality than his children, Cathy and Chris.

Charles isn’t terribly charismatic, but his integrity and seemingly endless resources make for a great read.

Pub Date: April 11, 2014

ISBN: 978-1493137985

Page Count: 226

Publisher: Xlibris

Review Posted Online: Sept. 2, 2014

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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