Good reads to be pondered over.




Bookended by sections of memoir and history, these four short stories give a vivid picture of Oklahoma past and near-present.

Reiswig (Water Boy, 2012, etc.) was raised in Oklahoma and came of age in the 1950s. The first portion of memoir tells of life on the farm for Reiswig when he was a boy following in his father’s footsteps. It culminates with his initiation in castrating a young bull, an act that leaves him dizzy and burdened with new wisdom he can’t yet comprehend. “The Box Supper” features a boy of about the same age and a vaguely menacing character named Dootie Poor. Sexual tensions are writhing just below the surface at an innocent-seeming school fundraiser. Again, this boy knows without really knowing that things are not as they seem. In fact, all the short stories basically concern a boy about to discover himself; sometimes he is referred to as “the boy,” and his parents are “the man” and “the woman,” giving the stories a reverberating universality. In “Two-Door Hardtop,” Dean’s uncle Bernie, about to fight in Korea, buys a brand-new Ford Crown Victoria and entrusts it to Dean (who can’t even drive yet) for the duration. But a very different—shellshocked—Bernie comes home and is never whole and sound again. When Bernie eventually sells the car, Dean feels betrayed. “Fair Game” is a punning title referring to high school football, rivalries and even bird hunting. In “Bright Angel Trail,” family history and dynamics are exposed while the vacationing family travels a desperate hike down that titular trail in the Grand Canyon. The closing memoir section relates the Reiswig family history, starting when they were “Volga Germans” in Russia in the 18th century and then early settlers of the Oklahoma Panhandle, living through the Dust Bowl and other trying times. They were tough people living in an elemental landscape. Reiswig writes clearly and well in a style as simple and open as the high plains, giving readers the Oklahoma of fundamentalist religion, fanatical high school sports and all the things that hold people together through their hardscrabble existences. You don’t have to be an Okie to appreciate that.

Good reads to be pondered over.

Pub Date: July 30, 2014

ISBN: 978-1480809192

Page Count: 118

Publisher: Archway Publishing

Review Posted Online: Oct. 17, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Did you like this book?

No Comments Yet

An enjoyable, cozy novel that touches on tough topics.


A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

Did you like this book?

A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Did you like this book?