By a Rembrandt authority and longtime Netherlands resident, the best yet in the ``First Impressions'' series. Schwartz not only relays the most significant events in the master's life, depicts the genius and milieu that engendered his fame, and outlines enough political and social history to give him context- -but also conveys the man's rich complexity, includes sage observations about the difficulty of winnowing facts from legends adhering to the great, offers a succinct overview of schools of art history (describing his own philosophy as a sensible amalgam), and ends with a history of the artist's reputation (fueled, ironically, both by the many misattributions and by their unmaskings). Schwartz includes telling contemporary quotes (the poet Huygens observed that Rembrandt ``combines individual and universal features better than any [classical] Greek painter''); his own uncondescending voice is admirably lucid and intelligent, with a humorous edge. He's also right about Rembrandt's darker side (among other things, he was ``not more scrupulous in financial affairs than he had to be''). Oddly, mention of Amsterdam's Jews is omitted; otherwise, a nearly flawless text, with more emphasis on the art's emotional content than on the artist's techniques. The 54 beautifully reproduced illustrations are well chosen, placed, and captioned; the elegant book design, with borders subtly echoing Rembrandt's signature glow, is outstanding. A must. Art fully cited; index. (Nonfiction. 10+)
Pub Date: April 1, 1992
ISBN: 0-8109-3760-3
Page Count: 92
Publisher: Abrams
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1992
BOOK REVIEW
BOOK REVIEW
Best enjoyed by preexisting fans of the author.
Deaf, trans artist Man meditates on his journey and identity in this brief memoir.
Growing up in conservative central Pennsylvania was tough for the 21-year-old Deaf, genderqueer, pansexual, and biracial (Chinese/White Jewish) author. He describes his gender and sexual identity, his experiences of racism and ableism, and his desire to use his visibility as a YouTube personality, model, and actor to help other young people like him. He is open and vulnerable throughout, even choosing to reveal his birth name. Man shares his experiences of becoming deaf as a small child and at times feeling ostracized from the Deaf community but not how he arrived at his current Deaf identity. His description of his gender-identity development occasionally slips into a well-worn pink-and-blue binary. The text is accompanied and transcended by the author’s own intriguing, expressionistic line drawings. However, Man ultimately falls short of truly insightful reflection or analysis, offering a mostly surface-level account of his life that will likely not be compelling to readers who are not already fans. While his visibility and success as someone whose life represents multiple marginalized identities are valuable in themselves, this heartfelt personal chronicle would have benefited from deeper introspection.
Best enjoyed by preexisting fans of the author. (Memoir. 12-18)Pub Date: June 1, 2021
ISBN: 978-0-593-22348-2
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 24, 2021
Kirkus Reviews Issue: April 15, 2021
A compelling ode to self-resurrection and Black sisterhood that finds much-needed light in the world’s darkness.
Two acclaimed, award-winning creators team up to present this moving, introspective poetry collection celebrating the possibilities of Black girlhood complemented by atmospheric mixed-media illustrations.
Showcasing varied poetic forms such as free verse and tanka, Watson reflects on coming of age as a Black girl in a society that habitually flattens Black experiences into easily digestible stereotypes. The opening poem, “Where I’m From,” is inspired by the work of Puerto Rican writer Willie Perdomo, and it peels back the layers of Watson’s identity, creating a harmonious alchemy of personal and cultural history that incorporates familiar touchstones and inheritances like “east coast hip-hop and island tradition.” Themes of resilience and perseverance are interwoven throughout, exploring how Black girls’ existence is often a testament to survival. Some poems contemplate the trauma that results from systemic racism and misogynoir; “A Pantoum for Breonna Taylor” notes how white supremacy weaponizes the basic necessity of rest: “Breonna, who reminded us that Black women / are not even safe in our sleep.” But Watson doesn’t dwell in despair; she finds safety in the healing power of love. Other poems, including “Lessons on Being a Sky Walker,” are rallying cries, encouraging Black girls to honor their roots and cherish their versatility. Watson’s reconstructions of childhood delights and teenage wounds examine the collision of race, gender, and class. Holmes’ tender, vibrant art enhances the poems.
A compelling ode to self-resurrection and Black sisterhood that finds much-needed light in the world’s darkness. (Poetry. 12-18)Pub Date: Feb. 13, 2024
ISBN: 9780593461709
Page Count: 96
Publisher: Kokila
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
PERSPECTIVES
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