A considered, eventful fantasy story.
Sturm (The Secrets of Time, 2004, etc.) offers a philosophical novel that spans countries—and universes.
Danny Loveless is a middle-aged sales representative whose life isn’t awful, by any means. Although he’s growing apart from his wife, Sandy, they do have a life and a young daughter together, and his occasionally strained relationship with his boss doesn’t prevent him from doing well at work. However, when he meets a strange man named Byron Shepherd in a park, his life begins to quickly and unstoppably change. Shepherd, who seems to know all about Danny, promises to find him the girl of his dreams. Danny quickly becomes obsessed with Shepherd, and with finding out what he knows. As a result, Danny’s relationship with his wife becomes more distant, and finally so acrimonious that she leaves him. It turns out that Shepherd is on a quest to repair the universe, and that some people have been erased from history by a mysterious future race. Danny wonders whether his wife and child have become collateral damage in Shepherd’s quest when suddenly no one seems to know who they are. Finally, Danny makes his way to Japan, where Shepherd assures him his destined partner awaits. Rather than a true love, however, Danny finds many different women and a curious, cult leader–like figure from California. Sturm’s intriguing choice to position this novel as a collection of stories by Danny’s psychiatrist makes the narrative just unreliable enough to raise continuous questions. Despite this, however, readers will still find it easy to believe that Danny truly has been chosen to fulfill an important role in the world. The book is full of somber meditations (“He lay in a kind of half-sleep, examining and re-examining the pieces of his life until his existence became an abstraction, like a word repeated too often”) as well as farcical encounters. But as readers engage with Danny’s difficult personality and choices, they’ll find that his great tragedies and small lusts amount to an engaging statement about the condition and future of humanity. Shepherd, the man from the future, is similarly compelling, as he ends up representing what’s possible—as well as what isn’t.
A considered, eventful fantasy story.Pub Date: Dec. 9, 2012
ISBN: 978-1478716662
Page Count: 312
Publisher: Outskirts Press Inc.
Review Posted Online: Nov. 28, 2014
Review Program: Kirkus Indie
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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