A fun and revealing look behind the charm and mythos of Bill Murray that will only strengthen his legend.
A personal philosophy based on Bill Murray’s well-publicized high jinks, pranks, and exploits.
There are countless urban legends about Murray, including stories of him crashing karaoke rooms, a kickball game, and a couple’s engagement photos. (All true.) There are also stories of Murray putting his hands over the eyes of unsuspecting strangers while saying “Guess who?” only for him to end the brief encounter with the rejoinder, “No one will ever believe you.” (Also true.) Based on innumerable tales like these and others, notwithstanding his career as one of the most beloved actors of his generation, Murray has carefully crafted a reputation for himself as our culturally appointed jester-in-chief. However, there is a somewhat serious philosophical foundation to Murray’s antics. As author and journalist Edwards (Last Night at the Viper Room: River Phoenix and the Hollywood He Left Behind, 2013, etc.) explains in his funny, affectionate portrait, Murray’s seemingly nonchalant attitude and inability to take anything seriously is rooted in his sincere desire to make the most of life. Through 10 principles outlined by the author, the underlying tenet to Murray’s “philosophy” reveals itself to be a kind of existentialist/Zen mashup that preaches a heightened awareness of the present. The key to Murray’s philosophy is that it is not self-serving. Though he has become known for his carefree antics almost as much as for his acting roles, he does them out of earnest playfulness. Murray is not always the genial clown, as many collaborators have witnessed his attitude turn abrasive and acerbic. Edwards skillfully weaves together many well-known and entirely new anecdotes from throughout Murray’s career that capture him at the height of his power. Murray is an endless delight, and his knack for bons mots and non sequiturs will keep readers laughing before revealing an unexpectedly poignant vision for happiness. The author also provides a rundown of Murray’s major films for reference.
A fun and revealing look behind the charm and mythos of Bill Murray that will only strengthen his legend.Pub Date: Sept. 20, 2016
ISBN: 978-0-8129-9870-2
Page Count: 368
Publisher: Random House
Review Posted Online: July 18, 2016
Kirkus Reviews Issue: Aug. 1, 2016
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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