by Gayle Forman ‧ RELEASE DATE: Sept. 13, 2016
An appealing fairy tale for the exhausted and underappreciated.
What if an overworked mother simply walked away? Could she find herself yet keep her abandoned family?
Maribeth works full time, keeps house , and even manages to be a hands-on mother to her 4-year-old twins so her husband, Jason, can work longer hours —after all, it’s not easy to make it in the music business. So when she starts feeling a bit queasy, tired, and achy one day, she simply carries on. Luckily a previously scheduled appointment with her gynecologist soon sends her to the hospital. But a heart attack and emergency bypass surgery don’t buy her any recovery time. Within days of being sent home, her mother, who was supposed to help her recuperate, doesn’t, even refusing to go to the store in the rain; the twins require emergency lice patrol; and Jason calls her selfish. At her wits’ end, Maribeth walks away. Circumspect but careful about her health, she looks for a cardiologist who will accept her on a no-insurance, cash-only basis. She lands in the office of Stephen Grant, a man who clearly has secrets of his own: his name is spoken in hushed tones, he doesn’t appear to have any other patients, and, unlike the cursory doctors of her past, he takes the time to really understand Maribeth. Maribeth’s thoughts turn to finding her biological mother, leading her to Janice Pickering, founder of BurghBirthParents.org, who takes a personal interest in her. Award-winning teen author Forman’s (I Was Here, 2015, etc.) adult debut nails the frustrations of working motherhood, though the love complications conveniently disappear and the frayed ends of Maribeth’s life are retied too easily.
An appealing fairy tale for the exhausted and underappreciated.Pub Date: Sept. 13, 2016
ISBN: 978-1-61620-617-8
Page Count: 352
Publisher: Algonquin
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
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PROFILES
by Mark Z. Danielewski ‧ RELEASE DATE: March 6, 2000
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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by Christina Lauren ‧ RELEASE DATE: April 10, 2018
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.
Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.
Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.Pub Date: April 10, 2018
ISBN: 978-1-5011-2801-1
Page Count: 416
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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