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SEPARATE JOURNEYS

SHORT STORIES BY CONTEMPORARY INDIAN WOMEN

Overall, an interesting and exotic mosaic.

Fifteen stories by varied authors, all contemporary women from different regions of India.

In a dry introductory essay, Mary Ellis Gibson emphasizes the linguistic, geographical, and cultural diversity of the authors here—authors nevertheless all representative, each in her own way, of modern India. With the exception of Anita Desai, few will be familiar to American readers, but there is an unmistakable tone that seems to unite the stories: a combination of patience and determination that attempts to channel a fate usually seen as past challenge. Some of the tales are recognizable in terms Western feminists would understand: “A Day With Charulatha,” for example, describes the visit of a young scholar to the ancestral village of a famous novelist who wrote books at a time when such pursuits were so inappropriate for women that she was widely considered mad, while “Private Tuition With Mr. Bose” portrays the frustration of a poor schoolmaster who considers it unseemly for women to study literature but gives lessons to a well-to-do young lady for extra cash. Other stories highlight the differences between Eastern and Western attitudes. In “Izzat,” a poor maidservant begs a former employer to hire her daughter—a teenaged girl so beautiful that the mother fears for her virginity in their rough neighborhood—only to find that the girl’s beauty brands her as too much of a temptation for her to be allowed to work in a respectable home. “The Hirja,” similarly, deals with the boundaries of sexual respectability: An old woman travels through the camps of the outcasts searching for the hermaphrodite baby that her family forced her to give away 18 years before. The best stories are the most fantastic: “I” describes a young boy’s sense of estrangement from his family (magnified in his own mind by a story of how his mother had “lost” him as a baby), while “I Am Complete” is a short meditation by a woman rejoicing over the collapse of her marriage.

Overall, an interesting and exotic mosaic.

Pub Date: June 1, 2004

ISBN: 1-57003-551-2

Page Count: 160

Publisher: Univ. of South Carolina

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2004

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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