by Gene Lees ‧ RELEASE DATE: Oct. 1, 1994
Another sterling collection of essays by one of our best jazz critics, drawn from his superb newsletter, Jazzletter. Lees (Waiting for Dizzy, 1991, etc.) is back with more of the elegant writing and insightful thought that has made him such a highly praised music critic. Tying this collection together are some sharp observations—both by Lees and by the musicians he profiles—about the ethnic and racial roots of jazz and the ways in which they reflect the tensions that afflict American society. In the opening essay, he writes movingly about growing up in Canada as a young jazz buff and about his encounters with racism both as an adolescent and as a young journalist. Elsewhere in the book, he offers profiles of Dave Brubeck, who is part Native American; musicologist Dominique de Lerma, who discourses on the multiplicity of cultures that have fed into jazz music; bassist Red Mitchell, who offers some mordant comments on the decay of American democracy; singer Ernie Andrews, who talks about the effects of racism in Los Angeles both in the '40s and today. Finally, in one of the longest pieces in any of his collections, he takes on the anti-white bias of many black musicians and writers, and fires a convincing broadside at the monumental and hollow edifice that is trumpeter and composer Wynton Marsalis. This last piece is not calculated to endear him to anyone of a black nationalist bent, nor will its equally fiery attacks on white racism win him any friends among neoconservatives. But Lees has long been one of those handful of social and arts critics who say what needs to be said. Essential reading for any serious jazz fan or student of American culture.
Pub Date: Oct. 1, 1994
ISBN: 0-19-508448-9
Page Count: 256
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
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by Gene Lees
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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