While the coding instruction’s as top-notch as ever, in this installment it’s interpersonal dynamics and characters that,...
After Robots & Repeats (2017) the heroes code their way into and out of the villainous Dr. One-Zero’s clutches.
After Josh takes point in coding an escape from the vicious ducks with teeth, the coders find Hopper’s father—but unfortunately, he and the other captives have been fed the mind-wiping Green Pop. Even worse, Dr. One-Zero steals Light-Light. They’re trapped with bottles of the Green Pop when Josh finds a hint for the lock’s passcode (interrupting Eni’s earnestly awkward romantic confession to Hopper). The resulting binary-to-ASCII puzzle makes good use of graphics for a quick, crystal clear recap on binary. Liberated, the three kids face pressures—Hopper’s mother wants them to leave town; Eni’s threatened with transfer if his sisters catch him with his friend; Josh feels like a third wheel in the friendship—but only they, and Professor Bee, can stop One-Zero’s latest diabolical scheme. Bee also reveals the truth behind his noselessness in a wild surprise crossover with Edwin Abbott’s Flatland: A Romance of Many Dimensions (1884). The cliffhanger sees the multiracial trio on the verge of coding a portal into Flatland, and it’s followed by a comedic short that uses coded repeats to find Josh’s dog.
While the coding instruction’s as top-notch as ever, in this installment it’s interpersonal dynamics and characters that, satisfyingly, take center stage. (Graphic science fiction. 8-14)Pub Date: March 27, 2018
ISBN: 978-1-62672-608-6
Page Count: 112
Publisher: First Second
Review Posted Online: Feb. 3, 2018
Kirkus Reviews Issue: Feb. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Well-educated American boys from privileged families have abundant options for college and career. For Chiko, their Burmese counterpart, there are no good choices. There is never enough to eat, and his family lives in constant fear of the military regime that has imprisoned Chiko’s physician father. Soon Chiko is commandeered by the army, trained to hunt down members of the Karenni ethnic minority. Tai, another “recruit,” uses his streetwise survival skills to help them both survive. Meanwhile, Tu Reh, a Karenni youth whose village was torched by the Burmese Army, has been chosen for his first military mission in his people’s resistance movement. How the boys meet and what comes of it is the crux of this multi-voiced novel. While Perkins doesn’t sugarcoat her subject—coming of age in a brutal, fascistic society—this is a gentle story with a lot of heart, suitable for younger readers than the subject matter might suggest. It answers the question, “What is it like to be a child soldier?” clearly, but with hope. (author’s note, historical note) (Fiction. 11-14)
Pub Date: July 1, 2010
ISBN: 978-1-58089-328-2
Page Count: 288
Publisher: Charlesbridge
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
Ideas abound, but when the focus shifts from Thomas' determination to take the measure of the house (literally and...
Dies Drear? Ohio abolitionist, keeper of a key station on the Underground Railroad, bearer of a hypercharged name that is not even noted as odd. Which is odd: everything else has an elaborate explanation.
Unlike Zeely, Miss Hamilton's haunting first, this creates mystery only to reveal sleight-of-hand, creates a character who's larger than life only to reveal his double. Thirteen-year-old Thomas Small is fascinated, and afraid, of the huge, uncharted house his father, a specialist in Negro Civil War history, has purposefully rented. A strange pair of children, tiny Pesty and husky Mac Darrow, seem to tease him; old bearded Pluto, long-time caretaker and local legend, seems bent on scaring the Smalls away. But how can a lame old man run fast enough to catch Thomas from behind? what do the triangles affixed to their doors signify? who spread a sticky paste of foodstuffs over the kitchen? Pluto, accosted, disappears. . . into a cavern that was Dies Drear's treasure house of decorative art, his solace for the sequestered slaves. But Pluto is not, despite his nickname, the devil; neither is he alone; his actor-son has returned to help him stave off the greedy Darrows and the Smalls, if they should also be hostile to the house, the treasure, the tradition. Pluto as keeper of the flame would be more convincing without his, and his son's, histrionics, and without Pesty as a prodigy cherubim. There are some sharp observations of, and on, the Negro church historically and presently, and an aborted ideological debate regarding use of the Negro heritage.
Ideas abound, but when the focus shifts from Thomas' determination to take the measure of the house (literally and figuratively), the story becomes a charade. (Mystery. 8-12)Pub Date: Sept. 9, 1968
ISBN: 1416914056
Page Count: 260
Publisher: Macmillan
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Sept. 1, 1968
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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