Culled from the past decade's Pushcart Prize selections, a collection for those who like their tales of love light on sentimentality and with a twist. Some of the best work features strong voices from people of color. In ``Crazy Life'' by Lou Mathews, Chuey's girlfriend gets him off the hook for a murder rap, but Chuey abandons his partner to a prison term and the East LA community makes life miserable for him. Lorna Goodison's ``By Love Possessed,'' set in Jamaica, details the affair of Dottie and Frenchie, who is ``probably better looking than Ricardo Montalban'' but unemployed. Dottie looks like Olive Oyl but can support Frenchie. The tenuous trade of different currencies ends disastrously. Likewise, Joyce Carol Oates's ``The Hair'' tells of one rather ordinary couple's friendship with a pair of socialites. The first couple's efforts to hold on to their status-lending friends threaten to compromise their own marriage. Incest is a frequent theme or subplot in the collection. ``Lawns'' by Mona Simpson portrays an abusive situation and its damaging effects on the daughter in later life. ``Hush Hush'' by Steven Barthelme presents a more off-beat, yet compelling incestuous scenario. If there is a flaw in this collection, it's that it takes itself too seriously. The book could use more entries such as ``Tell Me Everything'' by Leonard Michaels—perhaps the most well- crafted and playful of the lot, featuring an epic novel embedded within the story. ``Yukon'' by Carol Emshwiller likewise provides a refreshing perspective. A north woods woman leaves her bearish, north woods man and shacks up with an actual bear in a cave. She's happier with the bear, for a while. Many of ``the rest of us'' will be pleased with this thoughtful collection of intelligent romances. However, it fails to include a number of topics: safe sex, cybersex, etc. Also, the focus is overwhelmingly heterosexual.
Pub Date: June 1, 1994
ISBN: 0-916366-90-1
Page Count: 400
Publisher: Pushcart
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1994
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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