Once there was a poor child who had no father or mother—they, like everyone in the world, had died. In search of heaven, the lonely boy traverses the cosmos, but all that symbolizes hope and possibility is found worthless and what seemed bright and beautiful reeks of despair. The Earth is an empty vessel, and the moon, sun and stars become metaphors for the desolation and disease of the universe. Based on a story found in Georg Büchner’s play Woyzeck, Amann’s bleak adaptation offers a conversation piece for sophisticated readers. Bhend’s lyrical artwork, done in colored pencil and mixed media, with its soft colors and texture, is a welcome contrast to the blackness of space and story. While her style seems simple, her cerebral images aptly represent the child’s complex, metaphysical journey and are appropriately ripe with symbols. It is she who leaves readers with the idea that peace and comfort may be possible; the barren, dark realm evoked by the words demands this mercy. This may be a good companion for those studying Büchner, but it's sure not for the usual picture-book audience. (Picture book. 12 & up)
Pub Date: Nov. 1, 2010
ISBN: 978-0-7358-2316-7
Page Count: 32
Publisher: NorthSouth
Review Posted Online: Oct. 1, 2010
Kirkus Reviews Issue: Oct. 15, 2010
BOOK REVIEW
In this character-driven intergenerational story, Royce Peterson and his single mother have recently moved from Nova Scotia to British Columbia to help care for Arthur, Royce’s 95-year-old grandfather and one of the greatest cellists of the 20th century. After the curmudgeon chases off every aide, the teen is enlisted to watch his grandfather. At first the homesick, friendless and mono-recovering teen and his homebound, rude and crude grandfather are at odds, but then Royce gains new appreciation for Arthur—he caroused with Gloria Vanderbilt and Picasso, traveled the world, loved and lost loves—and Arthur begins to appreciate life again. But just as the pair begins to respect each other, Arthur suffers a series of debilitating strokes and asks Royce to end his life. Inspired by her experience caring for her aged father, Harvey offers a realistic view of the aging process, the difficult decisions left to loved ones and the need for friends and family. Sophisticated readers and fans of Joan Bauer’s Rules of the Road (1998) or Louis Sachar's The Cardturner (2010) will enjoy the grandfather-grandson banter and tenderness. (Fiction. 13 & up)
Pub Date: Oct. 1, 2010
ISBN: 978-1-55146-226-2
Page Count: 224
Publisher: Orca
Review Posted Online: Aug. 31, 2010
Kirkus Reviews Issue: Sept. 15, 2010
Two Rio Grande Valley high schoolers flirt with cutting out early but find reasons to finish school in this purposeful but intense tale. For Beto, it’s a combination of pride, disinterest in school and a clash with his caring but harsh father that sends him stalking away to spend the night in a Dumpster. For Beto's longtime friend Jessy, it’s a strong desire to be an artist, plus the strain of hearing her father beating her mother and knowing that her turn will be coming up one of these nights, that drives her to head for the bus to San Antonio. Using a mix of tenses and all three persons, Saldaña lays out his characters’ thoughts and emotional landscapes in broad strokes—creating a third angle of view by adding Beto’s little brother Roelito, who works his nalgas off in school but shows early signs of an ominous anger, as another narrative voice. The action takes place over the course of a little more than 12 hours, neatly capturing the spontaneity of teen impulses. Teen readers chafing at the domestic bit will find food for thought here. (Fiction. YA)
Pub Date: Oct. 30, 2010
ISBN: 978-1-55885-607-3
Page Count: 112
Publisher: Arte Público
Review Posted Online: Aug. 31, 2010
Kirkus Reviews Issue: Sept. 15, 2010
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