A fast-paced novel that’s hampered by excessive complexity and overheated prose.


From the Cavanaugh/Bennis Mystery series , Vol. 8

In Hopkins’ (The Staten Island Butcher, 2018, etc.) latest mystery series installment, private investigator Tom Cavanaugh tries to clear his brother’s name of a murder that may have been committed by a serial killer. 

Father Jack Bennis, a Jesuit priest, stumbles upon a dead man in his New York City church. The man has a wooden skewer sunk into his neck, and his eyes have been gouged out and placed into one of his pockets. Attached to the skewer is an index card, scrawled with the number 2. Jack quickly calls his brother, Tom—a former homicide detective and combat soldier who’s now a hard-boiled private investigator—for help. Just before discovering the corpse, Jack learned that a 12-year-old Colombian orphan named Chico, whom the priest had helped years ago, has just escaped from his orphanage in Cartagena. Jack quickly departs for South America in search of the boy, inevitably making him a chief suspect in the recent murder. Meanwhile, Tom conducts an investigation of his own in an attempt to exonerate Jack, and he discovers evidence that a serial killer is on the loose—and that the murder may also be tied to the Italian-American mob. In this eighth series entry, Hopkins packs the brisk plot with drama and sudden paroxysms of violence. However, the story gets rather convoluted as Jack confronts gangsters trafficking drugs and child sex slaves as he tries to rescue not only Chico, but also his own former flame, María Isabelle, from danger. The author does skillfully depict the moral squalor of the criminal underworlds in New York and Cartagena. However, his prose style is consistently melodramatic and occasionally overwrought, as when a reporter lambastes Tom when he reneges on a deal: “You know you’re a creep, Cavanaugh! You’re holding out on me. We had a deal! You’re a conniving fraud. You’re nothing more than a dirty weasel and a liar. I hate your guts!” And although the reader needn’t have read the previous books in the series to understand this one, there are so many connections to them that it would be helpful to do so. 

A fast-paced novel that’s hampered by excessive complexity and overheated prose. 

Pub Date: Sept. 20, 2019

ISBN: 978-1-69320-720-4

Page Count: 276

Publisher: Out Reach Books

Review Posted Online: Dec. 16, 2019

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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A touching family drama that effectively explores the negative impact of stress on fragile relationships.


A middle-aged woman returns to her childhood home to care for her ailing father, confronting many painful secrets from her past.

When Mallory Aldiss gets a call from a long-ago boyfriend telling her that her elderly father has been gallivanting around town with a gun in his hand, Mallory decides it’s time to return to the small Rhode Island town that she’s been avoiding for more than a decade. Mallory’s precocious 13-year-old daughter, Joy, is thrilled that she'll get to meet her grandfather at long last, and an aunt, too, and she'll finally see the place where her mother grew up. When they arrive in Bay Bluff, it’s barely a few hours before Mallory bumps into her old flame, Jack, the only man she’s ever really loved. Gone is the rebellious young person she remembers, and in his place stands a compassionate, accomplished adult. As they try to reconnect, Mallory realizes that the same obstacle that pushed them apart decades earlier is still standing in their way: Jack blames Mallory’s father for his mother’s death. No one knows exactly how Jack’s mother died, but Jack thinks a love affair between her and Mallory’s father had something to do with it. As Jack and Mallory chase down answers, Mallory also tries to repair her rocky relationships with her two sisters and determine why her father has always been so hard on her. Told entirely from Mallory’s perspective, the novel has a haunting, nostalgic quality. Despite the complex and overlapping layers to the history of Bay Bluff and its inhabitants, the book at times trudges too slowly through Mallory’s meanderings down Memory Lane. Even so, Delinsky sometimes manages to pick up the pace, and in those moments the beauty and nuance of this complicated family tale shine through. Readers who don’t mind skimming past details that do little to advance the plot may find that the juicier nuggets and realistically rendered human connections are worth the effort.

A touching family drama that effectively explores the negative impact of stress on fragile relationships.

Pub Date: May 19, 2020

ISBN: 978-1-250-11951-3

Page Count: 416

Publisher: St. Martin's

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: March 15, 2020

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