Next book

THE REGULARS

If you like basking in over-the-top banter and don’t roll your eyes at perfectly neat endings, you’ll have a fun afternoon...

Think you’d do anything for the chance to be supermodel pretty? Well, it gets messy.

In Clark’s (Parched, 2014, etc.) first adult novel, self-esteem issues compel a group of friends to renounce rational decision-making for a chance to take their looks from average to unforgettable. Evie Selby, a copywriter at a women’s magazine, is having a hard time accepting the culture of online dating. Her roommate, Krista Kumar, dropped out of law school to start an acting career, but it’s going nowhere. And their good friend Willow, a troubled photographer and daughter of a famous director, doesn’t understand what her puppy-dog boyfriend, Mark, sees in her. They’re all in bad places. If only they were prettier, right? They’d have more confidence, get more opportunities. When a shot at this lands magically in their laps, all three can’t help but grasp at the possibilities that come with trying a drop of the Pretty. Warning: now’s the time to suspend your disbelief. One drop of the Pretty potion gets them a week of long-legged, doe-eyed bliss. So, they make (terrible) excuses for the whereabouts of their real selves and walk through the doors that suddenly begin to open for them. Doors that lead to movie roles and dates with the superflirtatious novelist Velma Wolff. You'll find yourself getting sucked in as things descend into chaos, but there really isn’t a solid foundation to this story. An opportunity to build up a back story for the Pretty comes and goes in one underwhelming chapter. And while these characters promote liberating views on female sexuality, issues are either dulled by self-congratulating rants or resolved in fairy tale–esque fashion. One redeeming quality is that becoming Pretty does not involve a Cinderella-like transformation—it takes the adage “beauty is pain” to a new level.

If you like basking in over-the-top banter and don’t roll your eyes at perfectly neat endings, you’ll have a fun afternoon on the beach with this one.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1959-0

Page Count: 400

Publisher: Emily Bestler/Atria

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Categories:
Close Quickview