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LAMIA

A WITCH

Witchcraft, adventure, and romance intertwine in a rich tapestry of 16th-century France, by the author of The Infidel (1979). The Inquisition finds necromancy in every town and village, and women by the thousands are tortured and burned as witches, a fate that has befallen the mother and grandmother of nine-year-old Lamia. Living alone in the forest after her mother's death, the child is feared as a witch for her parentage, her wild ways, and her flaming red hair. When she stands in danger of imminent capture by superstitious churchmen, Lamia is befriended by the wealthy and cultured Marco Cellini, who secretly practices an enlightened sorcery that edges toward true science. Under his protection, she meets the gentle Peronnette, whose solitary ways prompt accusations that she is a witch; Giles de Sade, a Florentine nobleman reluctantly expatriated to France to claim his paternal birthright as Count of Nevers; and the handsome, sensual Ghanim, a Moor who possesses skills of medicine and mind control unknown in Europe. As she grows into womanhood, Lamia abandons her secure existence and seeks to avenge her mother's death, which was carried out at the direction of Bishop Geoffroi. In her daring plan to set the Inquisition against the Inquisitor by having the bishop himself convicted of Satanism, Lamia makes herself vulnerable to the Church's paranoia. As she tightens her trap around the prelate, he strikes back, and she is captured and accused of being the notorious Red Witch of Nevers. Her cool courage and an ingenious rescue scheme devised and smoothly carried out by Marco, Giles, and Ghanim, combine to turn the tables once again. In a satisfying resolution, evil churchmen and vulgar nobles meet their downfall, while the oppressed triumph. Taylor brings to life the pretensions and persecutions of a bygone era, spiking them with modernist philosophy and morality. A fairy tale for adults, and delectably escapist entertainment. (Literary Guild selection)

Pub Date: June 13, 1994

ISBN: 0-525-93745-5

Page Count: 304

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1994

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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