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CULTURE IS THE BASS

7 STEPS TO CREATING HIGH PERFORMING TEAMS

Nicely orchestrated and well-executed business advice.

Awards & Accolades

Our Verdict

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A bassist-cum–business consultant employs a music analogy to explain project portfolio management.

In presenting a complex business topic, some analogies can be exceedingly effective while others can wear thin. Leonard’s debut compares the culture of an organization to the bass in an orchestra. More broadly, he views an orchestra and its musicians akin to a business organization and its employees. Because of the author’s in-depth knowledge of both music and project management, the analogy is sustainable: “If an orchestra cannot play a versatile range of music, after a while, their performance will become predictable and stale….There has to be a framework in place that allows new pieces to be practiced and performed. Companies must design a framework for standardizing project management techniques within their strategic portfolio management environment.” While the music analogy appropriately recurs throughout the book, the material generally follows more traditional and expected topic areas. The content is divided into seven “steps,” including vision, values, best practices, and execution. These steps are described in separate chapters. For each step, Leonard recounts his own musical, personal, and business experiences; cites examples of successful organizations; includes specific implementation strategies; raises key questions; and provides additional resources. Especially helpful are the numerous lists the author presents to make the text more engaging. For example, he lists five areas to consider in preparing for organizational change, eight steps to developing best practices, 10 steps to strategic execution, and 11 common mistakes in the development of project portfolio management. Like many consultants, Leonard has devised his own methodology, and he generously shares it: He outlines and discusses a systematic process he calls “the ADeXI Framework” (which stands for Assess, Design, Execute, and Improve). He closes the volume by urging the reader to “turn up the bass on your favorite music device and in your organization, and enjoy those low tones that move your heart and that rattle your soul.” The author is obviously passionate about both music and project portfolio management, and his enthusiasm shines through the text. He deftly strikes the right balance between orchestral and project management nomenclature.

Nicely orchestrated and well-executed business advice.

Pub Date: Oct. 2, 2019

ISBN: 978-1-73400-500-4

Page Count: 118

Publisher: PPM Academy Press

Review Posted Online: Feb. 12, 2020

Kirkus Reviews Issue: March 15, 2020

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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