A gripping adventure wrapped in an edifying history lesson.


A young British medic is recruited for a dangerous secret mission during the Napoleonic Wars.

Jean-Baptiste Swift, known to his mates as “Jack,” has served in the British Navy for more than two years aboard the Victory, a warship commanded by the venerable Adm. Nelson. Jack is a “loblolly,” an assistant to the ship’s surgeon, a “handsome, brooding youth with the dark eyes and sharp wits,” dedicated to mastering medical science. He acquits himself well during the Battle of Trafalgar, too humble to admit his bravery, though he’s stung by the death of Adm. Nelson and haunted by nightmares in the battle’s aftermath. While attending to wounded French soldiers, he discovers intel regarding the movement of the French fleet which he promptly communicates to his superiors. When those superiors learn that Jack is fluent in French, he’s disguised as an officer and tasked with procuring even more information from their loose-lipped adversaries. Later, higher-ups assign Jack an even grander mission. He’s to disguise himself as a French dragoon—he’ll be given a crash course in French military matters and culture —so he can track down Adm. Villeneuve, Nelson’s “noble adversary,” in order to infer from his movements Napoleon’s plans. Debut author Stulc cleverly endows Jack with an unusual backstory that makes him peculiarly well suited to this brand of espionage: He was born in Gascony to a French mother and an English father and, once orphaned, was sent to live in England at the age of 7 by his grandmother in order to escape the violent excesses of the Terror. The author’s command of the historical period is extraordinary, including medical and military matters, not surprising since he served as a surgeon in the U.S. Navy. Stulc keeps the action-packed plot moving at a speedy pace. His prose can be overwrought, however; one chapter is titled “Death’s Grim Leer.” Still, this is an intelligently conceived story, both historically astute and captivating.

A gripping adventure wrapped in an edifying history lesson.

Pub Date: June 4, 2018

ISBN: 978-1-5069-0657-7

Page Count: 324

Publisher: First Edition Design Publishing

Review Posted Online: April 23, 2019

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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