Next book

BLOOD PUDDING

CONFESSIONS OF AN IMMIGRANT BOY PITTSBURGH 1920

A moving tale of an immigrant child’s trials.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

In this historical novel, a young Polish immigrant in Pennsylvania struggles under the mercurial despotism of his father.

In 1911, Tadeusz Malinowski—everyone calls him Taddy or Tad—moves with his family from Poland to the United States when he is only 8 weeks old. They settle in western Pennsylvania, near Pittsburgh, led inconstantly by Tad’s father, Ignaz, or Jumbo as he is often called, who dishonestly insists that he has a royal bloodline. Of all the siblings, Tad is the favorite of his mother, Eva—he is a sweet boy who diligently looks after his older brother, Ziggy, who is mentally disabled, dismissively counted to be among the “low IQ unfortunates.” The entire family suffers under Jumbo’s delusions of grandeur and infantile spirit—he is talented and enterprising but also viciously violent and selfish. When he falls into financial arrears, he takes to alcohol—for a time, he’s a bootlegger who largely supplies himself with booze—and routinely beats Eva, who fecklessly tries to hide her bruises from the children. When Eva dies—Tad, the narrator of the story, is only 10 at the time—Jumbo only worsens his tyrannical grip over the family, sexually abusing his own daughter, Vera. Tad is haunted by guilt over his mother’s death—he furtively helped her perform an abortion on herself, a gruesome procedure that ended her life, chillingly described by Cox. Eva tells Tad she needs help discarding some blood pudding: “What I dumped into the hole was not blood pudding. It was bloody, all right, but it looked like a little lifeless red and purple tadpole. At one end, it had some little purple fins coming out from it. It had a long vein wrapped around it that ended in a soft, lumpy pool of black clots.” In heartbreakingly poignant terms, Tad relates his struggle to love his father, a complicated man who by turns invites admiration and contempt: “My love for Jumbo is a bitter task of loyalty.”

The author’s plot can take on a desultory, meandering quality—it often reads like a series of impressionist recollections rather than a tightly structured story. But a sense of thematic unity begins to slowly emerge, accompanied by a thoughtful reflection on the very nature of remembrance. Tad muses about his mother: “My dreams are different from my memories, which are gleaned through this unquenchable urge to dig into the past. This compulsion began abruptly with her death and continued relentlessly for many years. Regrettably, this process exposed me again and again to the pain, but it always seemed worth it. I could not stop it.” The novel often intentionally feels like a memoir—Cox’s literacy conceit is that the book is found years later by Tad’s son, not to be read until a century after Eva’s death. The author’s storytelling can be punishingly gritty—one particular scene in which Tad is brutally raped by an adult is as difficult to read as it is to forget. Fortunately, there is more to this tale than despair and woes—there is plenty of humor as well as hope to lighten readers’ loads.

A moving tale of an immigrant child’s trials.

Pub Date: April 19, 2022

ISBN: 978-1-63985-561-2

Page Count: 374

Publisher: Fulton Books

Review Posted Online: July 20, 2022

Next book

JAMES

One of the noblest characters in American literature gets a novel worthy of him.

Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.

This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.

One of the noblest characters in American literature gets a novel worthy of him.

Pub Date: March 19, 2024

ISBN: 9780385550369

Page Count: 320

Publisher: Doubleday

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 50


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2022


  • New York Times Bestseller


  • Pulitzer Prize Winner

Next book

DEMON COPPERHEAD

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Awards & Accolades

Likes

  • Readers Vote
  • 50


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2022


  • New York Times Bestseller


  • Pulitzer Prize Winner

Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.

It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Pub Date: Oct. 18, 2022

ISBN: 978-0-06-325-1922

Page Count: 560

Publisher: Harper/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

Close Quickview