A tidy showcase for Lo Monaco, with at least some potential for return visits.

A cavalcade of diminutive, neatly designed pop-ups evokes toys of yesteryear.

Each of the 10 moderately antique playthings, which range from a gas station to a doll in a wheeled cradle, takes center stage in a minimally detailed setting printed on stiff paper stock and designed to open to a right angle. Some figures recur, such as a toy sailor who poses next to a sailboat and again on the trailer bed of a big truck, but mostly the tableaux stand alone: there’s an elephant on a wheeled platform, a firetruck, and a tractor hauling a sow dubbed “Stendahl” on a cart. Two loggers pull a saw back and forth a half inch or so in the only construction with a moving element. Along with sound effects, a child narrator seen just once and notable more for her enthusiasm than for natural language offers short scenarios—the sailor above is “an exceptional load!” for instance, and the “mechanical boat” sparks a planned outing: “On Thursday, I will go to the pond with mom and see it navigate.” The perspective pulls back for a capping bedroom scene featuring an open wardrobe and toys scattered on the floor. “What a mess. I took everything out to play! I’ll clean up my room tomorrow. Good night, my toys.”

A tidy showcase for Lo Monaco, with at least some potential for return visits. (Pop-up picture book. 4-6)

Pub Date: Oct. 25, 2015

ISBN: 978-3-89955-746-6

Page Count: 24

Publisher: Little Gestalten

Review Posted Online: Aug. 11, 2015

Kirkus Reviews Issue: Dec. 1, 2015


Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses...

This tan-skinned, freckle-faced narrator extols her own virtues while describing the challenges of being of mixed race.

Protagonist Lilly appears on the cover, and her voluminous curly, twirly hair fills the image. Throughout the rhyming narrative, accompanied by cartoonish digital illustrations, Lilly brags on her dark skin (that isn’t very), “frizzy, wild” hair, eyebrows, intellect, and more. Her five friends present black, Asian, white (one blonde, one redheaded), and brown (this last uses a wheelchair). This array smacks of tokenism, since the protagonist focuses only on self-promotion, leaving no room for the friends’ character development. Lilly describes how hurtful racial microaggressions can be by recalling questions others ask her like “What are you?” She remains resilient and says that even though her skin and hair make her different, “the way that I look / Is not all I’m about.” But she spends so much time talking about her appearance that this may be hard for readers to believe. The rhyming verse that conveys her self-celebration is often clumsy and forced, resulting in a poorly written, plotless story for which the internal illustrations fall far short of the quality of the cover image.

Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses the mark on both counts. (Picture book. 4-6)

Pub Date: Sept. 14, 2018

ISBN: 978-1-63233-170-0

Page Count: 32

Publisher: Eifrig

Review Posted Online: June 10, 2018

Kirkus Reviews Issue: July 1, 2018


Fun, fun, fun all through the town!

This book’s gonna werk, werk, werk all through Pride Month and beyond.

Drag persona Lil Miss Hot Mess rewrites “The Wheels on the Bus” to create a fun, movement-filled, family-friendly celebration of drag. The text opens with the titular verse to establish the familiar song’s formulaic pattern: “The hips on the drag queen go SWISH, SWISH, SWISH… / ALL THROUGH THE TOWN!” Along the way, more and more drag queens join in the celebration. The unnamed queens proudly display a range of skin tones, sizes, and body modifications to create a diverse cast of realistic characters that could easily be spotted at a Pride event or on RuPaul’s Drag Race. The palette of both costumes and backgrounds is appropriately psychedelic, and there are plenty of jewels going “BLING, BLING, BLING.” Don’t tell the queens, but the flow is the book’s real star, because it encourages natural kinetic participation that will have groups of young readers giggling and miming along with the story. Libraries and bookshops hosting drag-queen storytimes will find this a popular choice, and those celebrating LGBTQ+ heritage will also find this a useful book for the pre-K crowd. Curious children unfamiliar with a drag queen may require a brief explanation, but the spectacle stands up just fine on its own platforms.

Fun, fun, fun all through the town! (Picture book. 4-6)

Pub Date: May 5, 2020

ISBN: 978-0-7624-6765-5

Page Count: 40

Publisher: Running Press Kids

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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