THE NINE LIVES OF THE CAT

In this redrawn version of “King of the Cats,” a writer relates episodes from his cat’s previous seven lives, claiming the cat himself as the source. As those lives involved living in surroundings fine and poor, with the likes of a gang of marauding cats, a Toad-Witch and a group of monks, the tale is an adventurous one. Arinouchkine picks up this feeling nicely, with atmospheric, elaborately finished paintings featuring a variety of human figures in medieval dress and a graceful black cat with lambent eyes. The tale ends in the customary way, with the writer coming upon a feline funeral procession in the woods, and bringing the news back to his suddenly animated pet, who leaps out the window into a ninth and final life. Like the art, the narrative is sophisticated, and occasionally startling—“The inside of the Toad-Witch’s house was darker than the inside of a goat’s butt”—so younger readers (and less open-minded adults) may be more comfortable with traditional renditions. (Picture book/folktale. 10-12)

Pub Date: Oct. 1, 2005

ISBN: 0-689-04637-5

Page Count: 32

Publisher: Milk & Cookies Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2005

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THE TIGER RISING

Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)

Pub Date: March 1, 2001

ISBN: 0-7636-0911-0

Page Count: 128

Publisher: Candlewick

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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A colorful cast in which even the ferocious Silversides comes in for a dash or two of sympathy, plus a plot replete with, of...

RAGWEED

A TALE FROM DIMWOOD FOREST

From the Poppy series , Vol. 1

Avi elaborates on the “city mouse, country mouse” theme in this rousing prequel to Poppy (1995), starring Poppy’s ill-fated beau.

Impelled by wanderlust to hop a train to who-knows-where, Ragweed ends up in the rundown part of Amperville, where the local mice (all named after car parts) are being terrorized by Felines Enraged About Rodents (F.E.A.R.), a two-cat extermination squad led by evil-tempered Silversides. After several brushes with death, Ragweed defiantly teams up with Clutch, green-furred lead guitarist for the B-Flat Tires, to open a dance club for mice only, then in the climax organizes a devastating counterattack that sends F.E.A.R. scurrying out of town. In the end, though, Ragweed opts for the country life (little knowing that it’s going to be sweet but short).

A colorful cast in which even the ferocious Silversides comes in for a dash or two of sympathy, plus a plot replete with, of course, narrow squeaks will keep readers turning the pages, while Floca’s scenes of tiny mice fleeing looming, toothy predators add more than a touch of drama .(Fiction. 10-12)

Pub Date: May 1, 1999

ISBN: 0-380-97690-0

Page Count: 178

Publisher: Avon/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1999

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