A light and enjoyable story to introduce young American readers to the game.
Siggins follows Rugby Spirit (2012) with a companion novel about 13-year-old Eoin Madden, two ghosts, teammate rivalry and the love of the game.
Eoin returns to Castlerock College, his boarding school in Dublin, eager to continue his rugby career. The previous year, he had helped his team win the shiny silver cup now resting in the trophy case on campus. Eoin has a spectral friend, a boy named Brian who had been fatally injured in a match long ago and has helped Eoin learn the game. Eoin finds himself captain of the team, a difficult honor given its challenges, which include bullies, players competing for the same position and learning of the tough home life of one of his new friends. When Eoin decides to enter the Young Historian competition with a project on former rugby great Dave Gallaher, the ghost of Gallaher becomes friends with Eoin, too. “Why on earth had he suddenly become a magnet for dead rugby players?” But the ghosts are friendly and helpful, and ironically, the dead rugby players add life to a rather plainly told sports tale. Though descriptions of rugby and Irish names such as Caoimhe might throw young American readers, kids will recognize familiar sports themes and situations.
A light and enjoyable story to introduce young American readers to the game. (author’s note) (Fiction. 9-12)Pub Date: Oct. 8, 2014
ISBN: 978-1-84717-591-5
Page Count: 176
Publisher: O'Brien Press/Dufour Editions
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
The slight story of big-girl Reece, the 6'3', 170-lb. model and captain of Nike's Women's Beach Volleyball Team. In chapters that alternate between Reece's first-person account and co-author and novelist Karbo's (Trespassers Welcome Here, 1989) description of one not-too-successful summer on the pro beach volleyball tour, we learn both more and less than we'd like about the stunning athlete. Her mother, a circus dolphin trainer, left her with friends from the age of two until the age of seven. Reclaimed by her newly remarried mother, Reece (already five feet tall) began a somewhat peripatetic existence, moving from Long Island to St. Thomas, back to New York, and then to Florida over the next ten years. Reece began playing volleyball and modeling seriously in college, but she felt her modeling career was on the decline by the time she was 21; she stood out too much in a business that required a more chameleon-like look from its supermodels. And she discovered that volleyball was more satisfying than modeling. The only thing she yearns for in her pro ball career is a first-place finish for her team, something Nike has not yet accomplished. The book is an easy read, although the insights are limited (``Using sex as a tool is a sure way for a woman to fail to command respect'') and the life described not remarkably eventful (Reece is only 26 years old). The sports scenes also leave something to be desired, as in the description of the climactic game against the Paul Mitchell team (Hair vs. Shoes). Two-plus pages of ``NIKE 10 serving 7. NIKE—net violation. Side out. Paul Mitchell 7 serving 10. Point, Paul Mitchell 8-10. Side out'' can get a little tiresome. Not much appeal beyond the hardcore beach volleyball enthusiasts set. (16 pages color photos, not seen) (Author tour)
Pub Date: July 1, 1997
ISBN: 0-517-70835-3
Page Count: 256
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1997
BOOK REVIEW
An engaging journey through, as poet Merrill puts it, ``the enchanted lands of soccer.'' When, in 1990, the US team qualified for the World Cup for the first time in 40 years, Merrill (an avid amateur soccer player) followed the team through preliminary games stateside and then to Italy for the month-long tournament. The Americans were 500-1 underdogs, given little chance to do more than make a brave showing, especially with Bob Gansler at the helm, a coach so conservative and defense-oriented that his own players had sworn to scrap his game plan. In the opening game, Merrill says, Czechoslovakia ``outclassed'' the US in ``skill, speed, strength, tactics, and creativity,'' but in the second game—largely through the play of New Jersey goalie Tony Meola—the Americans scored a moral victory against heavily favored Italy, to whom they lost by only one goal. The third game, though, against Austria, was an ugly loss marred by ineptness and fighting. As Merrill progresses through the World Cup play (finally won by West Germany in a brutal match against defending champion Argentina, signaling the imminent downfall of superstar player Diego Maradona, whose drug and prostitution connections would bring him to disgrace and banishment), he offers lovely and knowing passages on the art, architecture, and ambience of Italy's cities and provides deep historical background and understanding of the game of soccer itself. Of particular interest are his insights into why ``the world's most popular game'' has never caught on in sports-mad America. The rarity of goals, Merrill contends, has ``doomed'' soccer in a country ``hooked on instant gratification'': Americans want to see lots of scoring but, ``like poetry and jazz, soccer is a subtle art, a game of nuance.'' An intelligent and literate work that could broaden American interest in soccer in time for our 1994 hosting—for the first time ever—of the World Cup.
Pub Date: Nov. 10, 1993
ISBN: 0-8050-2771-8
Page Count: 160
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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