Offbeat tales that showcase a distinctive, if sometimes-preachy, authorial vision.
A collection of short stories that examines the nature of justice in a world full of spiritual forces.
In her latest set of five tales, Brisibe-Dorgu (A Path Similar, 2019, etc.) tells more mythically infused stories of families in Africa. As the characters face various crimes and injustices, readers are shown the ripple effects in the surrounding communities. In “A Lift, A Smile and…,” which opens the collection, sisters Ama-ere and Yeibiri marvel at how their city has changed for the worse: “If it is not armed gangs openly shooting at each other,” Yeibiri says, “it would be rapists moving from house to house or robbers raiding shops, homes or...” When the siblings are kidnapped, however, the story switches gears, becoming a meditation on the effects of abduction: “the trauma locked inside her mind will take quite a long time to unlock.” “No Escape” follows a young man named Agbainzo, who becomes “one of the most influential persons in the community” after succeeding in business, before facing a quick decline. After he commits murder, a high priestess foretells his imminent downfall: “May your outward life be a reflection of your inner torments.” Overall, these tales depict a world where justice can be achieved if mysterious hidden forces of life—dreams, visions, and spirits—align and will it so; however, the tone of the narratives verges on didactic at times; for example, good fortune only comes to those who “are ready to work honestly and diligently.” Although Brisibe-Dorgu’s fictional world is full of violence, it also possesses an intriguing, underlying sense of order that only priestesses, wise people, and visionaries can access. In “Odudu,” for instance, the title character struggles with disturbing dreams as he prepares for a wrestling match with his challenger Timi; he seeks help from a spiritual guide, who tells him, “My dear son, the help you seek is what I have been offering you since you set foot inside my house. You are thinking of something quite complex but life’s solutions are really simple.”
Offbeat tales that showcase a distinctive, if sometimes-preachy, authorial vision.Pub Date: Feb. 27, 2019
ISBN: 978-1-5462-3664-1
Page Count: 152
Publisher: AuthorHouse
Review Posted Online: Nov. 13, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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