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LITTLE DID I KNOW

A well-developed and enchanting odyssey involving an apparition who ends up aiding the living.

Awards & Accolades

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Helping a spirit to find peace allows a woman to put to rest some of the ghosts in her own life in this debut novel.

Saaina’s fetching protagonist is Jaya, an overworked medical student and researcher in Nashville. Jaya had fled to the United States from her native India to escape her life of privilege and her suffocating family. She’s content with her busy lifestyle, although she develops a yearning for a place of her own. Jaya is drawn to a quaint fixer-upper in the suburbs, which she falls in love with. There is only one problem she hadn’t expected: It’s haunted. One night, she hears noises in a vacant room upstairs, and there, she discovers the diary of Tara, the house’s previous resident. Tara died of cancer, and the diary contains her bucket list, which she had been unable to complete. So Jaya decides to finish the list for Tara to help her spirit move on, with the support of the woman’s old neighbor Leo. At first, the tasks are simple, such as dating a man in uniform and singing karaoke. But she balks when she spots the item “solve a cold case.” In the midst of this crusade, Jaya rushes home to India when her beloved grandmother becomes ill. She also continues working on Tara’s list without realizing that the ghost has been guiding and assisting her all along. The most enjoyable part of Saaina’s novel is watching Jaya evolve from a somewhat self-involved woman to one who goes out of her way to help a perfect (albeit, dead) stranger. While doing so, Jaya gets reconnected to her extended family, which she had tried to leave behind. She even considers the previously unlikely possibility of getting married—to a childhood friend. Saaina, who’s also a native of India, successfully unveils that nation’s upper-caste society, a world unknown to many readers. The author skillfully weaves together seemingly disparate elements—Tara’s list, Jaya’s volunteer cancer research, an Indian cold case, and a charred psychiatric hospital—into a compelling narrative. Jaya’s selfless act results in her ultimately enjoying a fuller life.

A well-developed and enchanting odyssey involving an apparition who ends up aiding the living.

Pub Date: Jan. 9, 2018

ISBN: 978-1-5486-5862-5

Page Count: 362

Publisher: CreateSpace

Review Posted Online: Feb. 22, 2018

Kirkus Reviews Issue: May 1, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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