A well-developed and enchanting odyssey involving an apparition who ends up aiding the living.
Helping a spirit to find peace allows a woman to put to rest some of the ghosts in her own life in this debut novel.
Saaina’s fetching protagonist is Jaya, an overworked medical student and researcher in Nashville. Jaya had fled to the United States from her native India to escape her life of privilege and her suffocating family. She’s content with her busy lifestyle, although she develops a yearning for a place of her own. Jaya is drawn to a quaint fixer-upper in the suburbs, which she falls in love with. There is only one problem she hadn’t expected: It’s haunted. One night, she hears noises in a vacant room upstairs, and there, she discovers the diary of Tara, the house’s previous resident. Tara died of cancer, and the diary contains her bucket list, which she had been unable to complete. So Jaya decides to finish the list for Tara to help her spirit move on, with the support of the woman’s old neighbor Leo. At first, the tasks are simple, such as dating a man in uniform and singing karaoke. But she balks when she spots the item “solve a cold case.” In the midst of this crusade, Jaya rushes home to India when her beloved grandmother becomes ill. She also continues working on Tara’s list without realizing that the ghost has been guiding and assisting her all along. The most enjoyable part of Saaina’s novel is watching Jaya evolve from a somewhat self-involved woman to one who goes out of her way to help a perfect (albeit, dead) stranger. While doing so, Jaya gets reconnected to her extended family, which she had tried to leave behind. She even considers the previously unlikely possibility of getting married—to a childhood friend. Saaina, who’s also a native of India, successfully unveils that nation’s upper-caste society, a world unknown to many readers. The author skillfully weaves together seemingly disparate elements—Tara’s list, Jaya’s volunteer cancer research, an Indian cold case, and a charred psychiatric hospital—into a compelling narrative. Jaya’s selfless act results in her ultimately enjoying a fuller life.
A well-developed and enchanting odyssey involving an apparition who ends up aiding the living.Pub Date: Jan. 9, 2018
ISBN: 978-1-5486-5862-5
Page Count: 362
Publisher: CreateSpace
Review Posted Online: Feb. 22, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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